{"title":"Nyheter","description":"Våre nyeste utgivelser","products":[{"product_id":"hyvik-jens-johan-og-inger-marie-okkenhaug-historien-om-palestina-og-israel-i-moderne-tid","title":"Hyvik, Jens Johan og Inger Marie Okkenhaug: Historien om Palestina og Israel i moderne tid","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eHistorien om Palestina og Israel i moderne tid\u003c\/strong\u003e\u003c\/em\u003e har som utgangspunkt det palestinske samfunnet i tiårene før 1900, og følger historien til dette geografiske området fram til i dag. Det lange tidsspennet bryter med en vanlig periodisering av Palestinas – og derfor også Israels historie. Ambisjonen om å favne om hele det geografiske området, og både israelsk og palestinsk historie, bryter også med tradisjonelle tematiske avgrensninger. Boka gir slik en ny, mer sammensatt, og dypere forståelse av samfunnsmessige endringsprosesser i området og av kampen mellom jødisk og palestinsk nasjonsbygging i tiden før og etter opprettelsen av staten Israel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eKombinasjonen av detaljert kunnskap og analytiske grep synes jeg gjør boken spesielt nyttig. Så for alle som ønsker å sette seg grundig inn i bakgrunnen for det som fyller den offentlige debatten for tiden, er dette en bok verd å ta fatt på. \u003c\/span\u003e\u003cspan\u003eErling Rimehaug, Vårt Land 21. juni 2024 \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan\u003e«Boka utmerker seg for øvrig ved å være fengende skrevet … en oversiktsbok over Israels og Palestinas sammenvevde historie som både nye lesere og studenter av konflikten og den opplyste leser vil ha utbytte og glede av å lese.»\u003c\/span\u003e Dag Henrik Tuastad, Historisk tidsskrift\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKapittel 1: Innledning\u003c\/p\u003e\n\u003cp\u003eKapittel 2: Palestina under osmansk styre, ca. 1870–1918\u003cbr\u003e   Palestina i osmansk tid\u003cbr\u003e   Jerusalem\u003cbr\u003e   Palestina – sosiale forhold\u003cbr\u003e   Palestina – økonomiske forhold\u003cbr\u003e   Modernisering og urbanisering\u003cbr\u003e   Osmansk administrasjon og reformer\u003cbr\u003e   Ungosmanerne\u003cbr\u003e   Al-Nahda: Den arabiske renessansen\u003cbr\u003e   Fra liberal revolusjon til diktatur\u003cbr\u003e   Sionismen\u003cbr\u003e   Tidlig jødisk immigrasjon til Palestina\u003cbr\u003e   Osmanske jøder og sionistiske immigranter\u003cbr\u003e   Sionismen i Palestina\u003cbr\u003e   Første verdenskrig i Palestina\u003cbr\u003e   Britisk krigsdiplomati: Balfourerklæringen\u003cbr\u003e   Britisk krigsdiplomati: Hussein-McMahon korrespondansen og Sykes-Picot avtalen\u003c\/p\u003e\n\u003cp\u003eKapittel 3: Det første tiåret under britisk mandatstyre, 1919–1929\u003cbr\u003e   Konsekvensene av første verdenskrig i Palestina\u003cbr\u003e   Fredsforhandlingene i Paris: arabisk selvstyrekrav og kolonimaktenes interesser\u003cbr\u003e   Britisk militæradministrasjon av Palestina, 1917–1920\u003cbr\u003e   Folkeforbundets mandatsystem\u003cbr\u003e   Jødisk immigrasjon under britisk styre\u003cbr\u003e   «Palestina er vårt land»: Palestinsk mobilisering for selvstyre\u003cbr\u003e   Churchills «Hvitbok»\u003cbr\u003e   Mandatstyret og utviklingen av to parallellsamfunn\u003cbr\u003e   Det palestinske lederskapet og britene\u003cbr\u003e   Det palestinske lederskapet: interne forhold\u003cbr\u003e   Politisk utvikling blant palestinerne på 1920-tallet\u003c\/p\u003e\n\u003cp\u003eKapittel 4: Sionistisk statsbygging og økende palestinsk motstand, 1929–39\u003cbr\u003e   Yishuv: det sionistiske samfunnet\u003cbr\u003e   Utdanning under mandatstyret\u003cbr\u003e   Politisk organisering innen det jødiske samfunnet\u003cbr\u003e   Salg av jordeiendommer og utviklingen på landsbygda\u003cbr\u003e   Jødisk immigrasjon på 1920-tallet\u003c\/p\u003e\n\u003cp\u003eKapittel 5: Økt jødisk immigrasjon og palestinske opprør, 1929–1939\u003cbr\u003e   Økende palestinsk nasjonal bevissthet\u003cbr\u003e   Det arabiske opprøret i 1929\u003cbr\u003e   Shaw rapporten, Passfields «hvitbok» og britenes snuoperasjon\u003cbr\u003e   Økonomisk utvikling\u003cbr\u003e   Sosiale endringsprosesser og voksende politisk bevissthet\u003cbr\u003e   Det arabiske opprøret 1936–1939, del 1, generalstreik\u003cbr\u003e   Peel-kommisjonen\u003cbr\u003e   Det arabiske opprøret, 1937–1939, del 2\u003c\/p\u003e\n\u003cp\u003eKapittel 6: Borgerkrig, FNs delingsplan og krigen om Palestina\u003cbr\u003e   Fredskonferansen vinteren 1939\u003cbr\u003e   Andre verdenskrig: det jødiske samfunnet i Palestina\u003cbr\u003e   Geriljakrig i Palestina\u003cbr\u003e   FNs spesialkomité: The United Nations Special Committee on Palestine (UNSCOP)\u003cbr\u003e   Palestinakrigen, første fase: 30. november 1947–14. mai 1948\u003cbr\u003e   Palestinakrigens andre fase: 1948–1949\u003cbr\u003e   Det britiske mandatet i Palestina: imperiemakt, settlerkolonialisme, og brutte løfter\u003c\/p\u003e\n\u003cp\u003eKapittel 7: Israel etter 1948\u003cbr\u003e   Regionale konsekvenser av krigen i 1948\u003cbr\u003e   Innvandring til staten Israel\u003cbr\u003e   En jødisk og demokratisk stat?\u003cbr\u003e   Høyresiden på frammarsj og tautrekking om statens karakter\u003cbr\u003e   Det politiske systemet\u003cbr\u003e   Politiske partier og hovedlinjer i den politiske historien etter 1948\u003cbr\u003e   De palestinske statsborgerne i Israel og politisk deltakelse\u003cbr\u003e   Konsekvensene av krigen i 1967 og fredsforsøk\u003cbr\u003e   Den israelsk-palestinske konflikten, Oslo-avtalen\u003cbr\u003e   Israelske bosetninger på de okkuperte områdene\u003cbr\u003e   Det israelske Arbeiderpartiets fall fra makten\u003cbr\u003e   Religion og sekularitet\u003cbr\u003e   Ashkenazim og mizrahim\u003cbr\u003e   Palestinske statsborgere i Israel\u003cbr\u003e   Økonomi og klasse\u003cbr\u003e   Det israelske forsvaret og støttespillere i vesten\u003c\/p\u003e\n\u003cp\u003eKapittel 8: Palestina og palestinerne etter 1948\u003cbr\u003e   Den palestinske erfaringen\u003cbr\u003e   Politisk reorganisering etter nederlaget i 1948-krigen\u003cbr\u003e   En ny nasjonal bevegelse – Fatah\u003cbr\u003e   Krigen i 1967 og dens konsekvenser for palestinerne\u003cbr\u003e   Motstandsbevegelsen, PLO\u003cbr\u003e   Kamp for internasjonal anerkjennelse\u003cbr\u003e   Den første intifadaen 1987–1993\u003cbr\u003e   Etableringen av Hamas\u003cbr\u003e   Oslo-avtalen og Den palestinske selvstyremyndigheten\u003cbr\u003e   Politisk splittelse på 2000-tallet\u003cbr\u003e   Gazastripen og Hamas etter 2007\u003cbr\u003e   Staten Palestina?\u003cbr\u003e   De palestinske flyktningene\u003cbr\u003e   Konsekvensene av okkupasjon og israelske bosetninger\u003cbr\u003e   «Israelisering» av Jerusalem\u003cbr\u003e   Økonomisk utvikling i de okkuperte områdene etter 1967\u003cbr\u003e   Avslutning: Apartheid-spørsmålet?\u003c\/p\u003e\n\u003cp\u003eTidslinjer\u003c\/p\u003e\n\u003cp\u003ePersonregister\u003c\/p\u003e\n\u003cp\u003eLitteratur\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eForfattere:\u003cbr\u003eInger Marie Okkenhaug er professor i historie ved Høgskulen i Volda. Hun har publisert en rekke bøker og artikler nasjonalt og internasjonalt relatert til Midtøstens historie, inkludert Christian Missions and Humanitarianism in the Middle East, 1850–1970: Ideologies, Rhetoric, and Practices (medredaktør, 2020) og “En norsk filantrop”. Bodil Biørn og armenerne, 1905–1934 (2016).\u003c\/p\u003e\n\u003cp\u003eJens Johan Hyvik er professor i moderne historie ved Universitetet i Sørøst-Norge. Han har forsket på nasjonal identitet og nasjonalisme, først og fremst i en norsk og nordisk sammenheng, og har blant annet gitt ut boka Tokulturlæra i norsk historie (2016). I tillegg har han gjennom mange år vært interessert i nasjonsbyggingsprosesser i Midtøsten og har undervist om Palestinas og Israels historie.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-141-2, 303 sider, heftet, format: 17 x 24 cm, vekt 0,6 kg, publiseringsår 2024, språk: norsk bokmål\u003c\/p\u003e","brand":"Novus","offers":[{"title":"Default Title","offer_id":43732534034630,"sku":"2024-05 978-82-8390-141-2","price":429.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-141-2_hires_0c6b071c-e84b-4c3f-bd7c-475c1ebd0303.jpg?v=1716375499"},{"product_id":"nordby-trond-minda-rismoen-paa-tidens-skiftende-bolge","title":"Nordby, Trond: Minda Rismoen - paa Tidens skiftende Bølge","description":"\u003cp style=\"text-align: justify;\" class=\"MsoNormal\" data-mce-style=\"text-align: justify;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: major-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\" data-mce-style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: major-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eBæssmor, Minda Rismoen, fikk ordene til å leve i fortellingene om krig og uro, om folk som emigrerte eller flyttet inn til Kristiania, om endringer i jordbruk og skogbruk mm.. Sjøl møtte hun mye motgang. Atten år gammel ble hun gravid med en mann som dro til Amerika uten at hun hørte mer fra ham. Tilbake satt hun i ei lita tømmerstue sammen med barnet, foreldre og søsken. Fjorten år senere ble hun igjen gravid. Denne gangen giftet hun seg med Nils Rismoen med rykte om å ha vært delaktig i et drap. Fetteren hennes, Olaf Hofoss, gav dem tomt der de bygde kafé med rom til utleie. Nils døde i 1944, men hun fortsatte driften alene. Slik vil mange huske henne, pratsom, med runde briller på nesa, med trinn mage og rak rygg. Utenfor kaféområdet, derimot, var hun tilbakeholden. Hun var et paradoks – en sosial eremitt. Et siste kapittel reflekterer over hvilke følger de store omveltningene hun opplevde, fikk for ­Hofoss, for henne sjøl og hennes nærmeste. Boken bygger mest på ­Mindas beretninger, ulike digitaliserte arkiver, aviser, brev, bygde­bøker og min egen Hofoss-trilogi.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\" class=\"MsoNormal\" data-mce-style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp class=\"----Overskrift1\" align=\"left\" style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: major-latin;\"\u003eInnhold\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: major-latin;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin; text-transform: uppercase;\"\u003e(I) emne og disposisjon\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;\"\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eBegrunnelse for å skrive essayet\u003cbr\u003eLivsløpet sammenfattet\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eVidere framstilling\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003cspan style=\"text-transform: uppercase;\"\u003e(ii) hofoss PÅ mindas tid\u003c\/span\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eNavnet Hofoss\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eGeografisk utbredelse\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eFra persongalleriet\u003cbr\u003eNæringsutvikling\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cspan style=\"text-transform: uppercase;\"\u003e(III) Fall og oppreisning\u003c\/span\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eFødsel, barne- og ungdomsår\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eBarnefarens svik\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eEktemann med grusomt rykte\u003cbr\u003eHeller gift enn enslig mor\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eLiket i grøfta\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-transform: uppercase;\"\u003e(IV) Minda i LIVET mitt\u003c\/span\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e«Episk kvinne»\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eGjess, osper og gjester\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAldring omgitt av skjønnhet\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eHennes død og mitt nye liv\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-transform: uppercase;\"\u003e(V) ETTERTANKER\u003c\/span\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eIndivid og omgivelser\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eUlike reaksjoner på samme svik\u003cbr\u003eDet absolutt uunngåelige\u003c\/i\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eSluttord\u003c\/i\u003e\u003cbr\u003e\u003cspan style=\"text-transform: uppercase;\"\u003e(VI) Vedlegg\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eUtvalgt litteratur\u003cbr\u003eKart over Hokåsen skolekrets\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\" align=\"left\" style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: major-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.05pt;\"\u003eTrond Nordby (f. 1943), dr. philos. i historie og professor emeritus ved Institutt for statsvitenskap, Universitetet i Oslo. Han har skrevet mange bøker, tidsskriftartikler og aviskronikker, for det meste om vårt politiske system etter 1800. I tillegg har han vært bidrags­yter i en rekke antologier.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e\n\u003cp class=\"----Overskrift1\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 12.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; color: black; mso-themecolor: text1;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-139-9, 73 sider, heftet, format: 14x22 cm, vekt 0,2 kg, publiseringsår 2024, språk: norsk bokmål\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: 'Aptos Display',sans-serif; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e \u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":43770737918150,"sku":"2024-05 978-82-8390-139-9","price":275.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-139-9_hires.jpg?v=1716893396"},{"product_id":"hevroy-karlsen-nielsen-parelius-her-ma-da-ordi-koma-nye-lesingar-i-olav-h-hauge","title":"Hevrøy\/Karlsen\/Nielsen\/Parelius: Her må då ordi koma. Nye lesingar i Olav H. Hauge","description":"\u003cp\u003eI 2024 er det 30 år sidan Olav H. Hauge døydde, og sjølv om forfattarskapen hans er levande både for lesarar og forskarar, er det faktisk like lenge sidan den førre forskingsantologien om Hauge, \u003cem\u003eTunn is. Om Olav H. Hauges forfattarskap\u003c\/em\u003e, vart gjeven ut.\u003c\/p\u003e\n\u003cp\u003eDet er med andre ord duka for å lese Olav H. Hauge på nytt. I \u003cem\u003eHer må då ordi koma. Nye lesingar i Olav H. Hauges dikting\u003c\/em\u003e skriv Idar Stegane, Fredrik Parelius, Stein Arnold Hevrøy, Henrik Indergaard, Ingrid Nielsen, Ingrid Skjerdal, Erling Aadland, Hadle Oftedal Andersen, Ole Karlsen og Torgeir Skorgen særleg om samverknaden mellom lesing og dikting, men også om poetiske rom, einsemd og himmellekamar hos Olav H. Hauge.\u003c\/p\u003e\n\u003cp\u003eDen særeigne samanvevinga av eigne røynsler og opplevingar med stor diktekunst gjer at dikta til Hauge har ei eiga evne til å fornye seg; dei har alltid noko nytt å by på, sjølv for røynde Hauge-lesarar. Det er nok også ein av grunnane til at så mange forskarar har kasta seg over diktinga hans. Hauges diktarlandskap er konkret, men det rommar også mykje av anna dikting, og slik gjev det rom til mange ulike innfallsvinklar og lesemåtar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInnhald\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eForord\u003c\/p\u003e\n\u003cp\u003eStein Arnold Hevrøy, Ole Karlsen, Ingrid Nielsen og Fredrik Parelius\u003cbr\u003eInnleiing\u003c\/p\u003e\n\u003cp\u003eIdar Stegane\u003cbr\u003eOlav H. Hauge og norrøn tradisjon\u003c\/p\u003e\n\u003cp\u003eFredrik Parelius\u003cbr\u003eNår berget «opnar seg». På innsida av berget i Olav H. Hauges dikting\u003c\/p\u003e\n\u003cp\u003eStein Arnold Hevrøy\u003cbr\u003e«År ut og år inn har du site bøygd yver bøkene»: Olav H. Hauges boksamling som kjelde til innsikt i forfattarskapen hans\u003c\/p\u003e\n\u003cp\u003eHenrik Indergaard\u003cbr\u003eOm Aukrusts påvirkning på Hauge. En kommentar til «Skåli», «Til ein gamal meister», «Fela», «Eg ser på ein gamal spegel» og «Gullhanen»\u003c\/p\u003e\n\u003cp\u003eIngrid Nielsen\u003cbr\u003e«her gjeng elvi i ring, i ring – ». Om poetiske rom i nokre av Olav H. Hauges dikt\u003c\/p\u003e\n\u003cp\u003eIngrid Beate Hestvik Skjerdal\u003cbr\u003e«Plukka månar» … «sløkkje stjernor» – Himmellekamar i dikt av Olav H. Hauge\u003c\/p\u003e\n\u003cp\u003eErling Aadland\u003cbr\u003eHauge og sanninga\u003c\/p\u003e\n\u003cp\u003eHadle Oftedal Andersen\u003cbr\u003eSeljefløyta, Verlaine og parnassianismen\u003c\/p\u003e\n\u003cp\u003eOle Karlsen\u003cbr\u003eBrakylogi, lakonisme, gnomiske dikt. Ei linje i Olav H. Hauges dikting\u003c\/p\u003e\n\u003cp\u003eTorgeir Skorgen\u003cbr\u003e«Teikn er me, utan meining»: Om krig og verdslitteratur hos Hölderlin og Hauge\u003c\/p\u003e\n\u003cp\u003eOm bidragsytarane\u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-149-8, 243 sider, heftet, format: 15,5x23 cm, vekt 0,45 kg,, publiseringsår 2024, språk: nynorsk\u003c\/p\u003e\n\u003cp\u003eÅpen tilgang: omp.novus.no\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44006996967622,"sku":"2024-08 978-82-8390-149-8","price":325.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-149-8_hires.jpg?v=1723112100"},{"product_id":"karlsen-lillebo-red-lydlosheten-inne-i-alt-som-hender-nye-lesninger-i-rolf-jacobsens-forfatterskap","title":"Karlsen\/Lillebo (red.): Lydløsheten inne i alt som hender. Nye lesninger i Rolf Jacobsens forfatterskap","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003eI år er det 30 år siden Rolf Jacobsen døde. Utgivelsen av \u003ci\u003e«Lydløsheten inne i alt som hender». Nye lesninger i Rolf Jacobsens forfatterskap \u003c\/i\u003emarkerer så vel dette som Rolf Jacobsens ubestridte posisjon som en av våre verdenspoeter. Boka har sin bakgrunn i en konferanse som fant sted i Hamar i mai 2023 og som i sin helhet var viet Jacobsens diktning. Både veletablerte Jacobsen-forskere og yngre lyrikkforskere deltok. Resultatet ble en rikholdig miks av innlegg, hvorav de fleste er bearbeidet til artikler og essays i denne boka. Bidragsytere: Erling Aadland, Ulf Eriksson, Kristian Lødemel Sandberg, Elin Stengrundet, Fredrik Parelius, Ole Karlsen, Ingrid Nielsen, Erik Skyum-Nielsen, Hadle Oftedal Andersen, Hanne Lillebo og Anders Torgunrud Røshol. Utgivelsen er et samarbeid mellom Høgskolen i Innlandet og Anno museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.5pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eForord\u003cbr\u003e\u003cbr\u003eErling Aadland\u003cbr\u003eDiktets stemning – hos Rolf Jacobsen\u003cbr\u003e\u003cbr\u003eUlf Eriksson\u003cbr\u003eMellan tragedi och förundran – erfarenhetsrum hos Rolf Jacobsen\u003cbr\u003e\u003cbr\u003eKristian Lødemel Sandberg\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003ePoesien i eit kart. Om kartsamlinga til Rolf Jacobsen og relasjonar til lyrikken\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003cbr\u003eElin Stengrundet\u003cbr\u003eKvinnemotivet i Rolf Jacobsens forfatterskap\u003cbr\u003e\u003cbr\u003eFredrik Parelius\u003cbr\u003e«I sprangets krampe». Tvisynt futurisme i \u003ci style=\"mso-bidi-font-style: normal;\"\u003eJord og jern\u003c\/i\u003e (1933)\u003cbr\u003e\u003cbr\u003eOle Karlsen\u003cbr\u003eRolf Jacobsens Italia-dikt. Ekfrasene\u003cbr\u003e\u003cbr\u003eIngrid Nielsen\u003cbr\u003e«Langt inne høyt oppe». Om skapelsen av poetiske erfaringsrom i Rolf Jacobsens \u003ci style=\"mso-bidi-font-style: normal;\"\u003eHemmelig liv\u003c\/i\u003e (1954) og \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSommeren i gresset\u003c\/i\u003e (1956)\u003cbr\u003e\u003cbr\u003eErik Skyum-Nielsen\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"DA\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: DA; mso-fareast-language: DA; mso-bidi-language: DA;\"\u003eTysthedens indsigelse. Sprogkritik, samfundskritik og civilisationskritik i Rolf Jacobsens 1970er-forfatterskab\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eHadle Oftedal Andersen\u003cbr\u003e«To hender var som et hus». Svitten «Rom 301» lesen med utgangspunkt i Merleau-Pontys kroppsfenomenologi\u003cbr\u003e\u003cbr\u003eHanne Lillebo\u003cbr\u003eLyngblomster i Rolf Jacobsens litterære landskap\u003cbr\u003e\u003cbr\u003eAnders Torgunrud Røshol\u003cbr\u003e«En verden bortenfor øynene». Om å sette musikk til dikt av Rolf Jacobsen\u003cbr\u003e\u003cbr\u003eOm bidragsyterne\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.5pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-142-9, 229 sider, heftet, format: 14x22 cm, vekt 0,37 kg,\u003cbr\u003epubliseringsår 2024, språk: bokmål\/nynorsk\/svensk\/dansk\u003c\/p\u003e\n\u003cp\u003eÅpen tilgang: omp.novus.no\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44057358139590,"sku":"2024-08 978-82-8390-142-9","price":352.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-142-9_hires.jpg?v=1725020677"},{"product_id":"festskrift-november","title":"D'Amico, Dingstad and Rees (eds.): Helland in Retrospect. Ten essays on Ibsen","description":"\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eThis volume contains ten newly translated scholarly works by the esteemed Ibsen scholar Frode Helland on the occasion of his sixtieth birthday. The essays are arranged in roughly chronological order and accompanied by brief introductions. In reflecting over Helland’s many contributions to the field, it struck the editors that there is much value in his early scholarship, but that because most of this was written in Norwegian, it has not reached the international readership it deserves. His scholarly production spans many phases, including an interest in the ironic, the aesthetic, the melancholic, the political, and the global Ibsen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eFrode Helland (1964) earned his doctoral degree from the University of Oslo in 1998. He was an associate professor at the Norwegian University of Science and Technology before returning to the University of Oslo to take up a position as professor of Scandinavian literature at the Centre for Ibsen Studies in 2004. He is currently serving as Dean of the Faculty of Humanities. In addition to producing several anthologies and the co-authored book A Global Doll’s House: Ibsen and Distant Visions (2016), Helland is the author of several single-authored monographs, including Melankoliens spill. En studie i Henrik Ibsens siste dramaer (2000; The Play of Melancholy: A Study of Henrik Ibsen’s Last Dramas), Voldens blomster? Henrik Wergelands Blomsterstykke i estetikkhistorisk lys (2003; Flowers of Violence? Henrik Wergeland’s Flower Compositions in Light of the History of Aesthetics), Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power (2015), and Rasismens retorikk: Studier i norsk offentlighet (2019; The Rhetoric of Racism: Studies in Norwegian Public Discourse).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eContents\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003ePreface\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eArticles\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eIrony and Experience in Hedda Gabler (1994)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eThis Is Not a Pipe. \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eBy Frode Helland and Arnfinn Åslund (1996)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eA Reply from the Doctoral Candidate (1999)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eOn Peer Gynt, with a Constant Focus on the Concept of Dramatic Irony (2000)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eHenrik Ibsen and Politics: A Doll’s House (2006)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eIbsen and Politics: Ghosts (2007)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eReviews\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eThe Emperor of Interpretation (1991)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eThe Birth of Modernism: Henrik Ibsen (2007)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eIdealism as Problem and Necessity (2015)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eAfter Ibsen? (2016)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eSources for Frode Helland’s Original Essays\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eWorks Cited\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoPlainText\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Courier New';\"\u003eTabula Gratulatoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished in the following formats:\u003cbr\u003ePaper: ISBN 978-82-8390-157-3, 181 pp, paperback, format: 17x24 cm, weight 0,4 kg,, year of publication 2024, language: English\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOpen access: omp.novus.no\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44071445889222,"sku":"2024-12 978-82-8390-157-3","price":385.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-157-3.jpg?v=1733563765"},{"product_id":"karlsen-sandberg-skjerdal-red-steinmal-og-strengesong-om-ragnval-skredes-lyrikk","title":"Karlsen\/Sandberg\/Skjerdal (red.): Steinmål og strengesong. Om Ragnvald Skredes lyrikk","description":"\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e«Takk for diktsamlinga di! som gledde meg med å sjå at du stig fram som ein av dei største lyrikarane vi har», skreiv Kristofer Uppdal då RAGNVALD SKREDE\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e \u003c\/b\u003e(1904–1983) debuterte med \u003ci style=\"mso-bidi-font-style: normal;\"\u003eDet du ikkje veit\u003c\/i\u003e i 1949. Skrede var frå Vågå i Gudbrandsdalen, og opplevingar i barndommen og førkrigsåra ligg som ein klangbotn i forfattarskapen. Skrede hadde sona ein dom, av mange vurdert som eit justismord, og den plaga og forfølgde outsideren er ein gjennomgangsfigur i dikta – den utstøytte som følgjer si eiga leiestjerne. Til saman gav Skrede ut 12 diktsamlingar, og han var ein toneangivande kritikar, forlagsmann og omsetjar med stor innverknad på norsk kulturliv i etterkrigstida. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eFor 1960-talsdebutantane representerte Skrede eit forelda diktarideal, og forfattarskapen har i nyare tid fått langt mindre merksemd enn livet hans. \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSteinmål og strengesong. Om Ragnvald Skredes lyrikk\u003c\/i\u003e hentar fram att Skrede som lyrikar og gjendiktar. Å gjenlese Skrede fører oss inn i grunnstemningar i etterkrigslyrikken, men òg inn i uventa tankevendingar og eksistensielt alvor. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eRedaktørar for boka er professor Ole Karlsen, førstemanuensis Kristian Lødemel Sandberg og førsteamanuensis Ingrid Skjerdal, Høgskolen i Innlandet.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp style=\"line-height: 13.5pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 13.5pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eForord\u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eOle Karlsen, Ingrid Skjerdal og Kristian Lødemel Sandberg\u003cbr\u003e«Ragnvald Skredes underligt oföranderliga poesi». \u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eIntroduksjon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eJan Inge Sørbø\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eRagnvald Skrede mellom biografi og modernisme\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eKristian Lødemel Sandberg\u003cbr\u003e«Når visdomssteinen er funnen». \u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eVisdomslitteratur som inngang til Skredes lyrikk\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eElin Stengrundet\u003cbr\u003e«Ung skal ein drøyme vilt»: \u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eEit ungdomsperspektiv på Ragnvald Skredes forfattarskap\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eSilje Solheim Karlsen\u003cbr\u003e«Fordi du såg idéen i meg»: \u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eRagnvald Skrede og kjærligheten\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eIngrid Nielsen\u003cbr\u003e«Du dirrar av gir». Om endelaus gir i Ragnvald Skredes debutsamling \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eDet du ikkje veit \u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e(1949)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eIngrid Skjerdal\u003cbr\u003e«No får eg ei røyst og kan syngje min song». \u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eRetning, rytme og røyster i dikt av Skrede\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eOle Karlsen\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eI ormegarden. Ragnvald Skredes ekfraser\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eOle Karlsen\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eRagnvald Skredes sonetter. En presentasjon\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eSvenn-Arve Myklebost \u003cbr\u003e«Eit anna eg»: \u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eRagnvald Skrede og sonettane til William Shakespeare\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eOm bidragsytarane\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-150-4, 201 sider, heftet, format: 14x22 cm, vekt 0,32 kg,\u003cbr\u003epubliseringsår 2024, språk: nynorsk\/bokmål\u003c\/p\u003e\n\u003cp\u003eÅpen tilgang: omp.novus.no\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44071875084486,"sku":"2024-08 978-82-8390-150-4","price":325.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-150-4_hires.jpg?v=1725540373"},{"product_id":"holm-henrik-filosofi-pa-livets-scene-et-personlig-mote-med-martin-heideggers-filosofi","title":"Holm, Henrik: Filosofi på livets scene. Et personlig møte med Martin Heideggers filosofi","description":"\u003cp style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\" class=\"Normal1\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.5pt;\"\u003eDenne boken er skrevet i troen på at formidling av filosofi skjer når mennesker møtes. Jeg vil fortelle deg, kjære leser, om mitt møte med Heidegger. Så enkel er metodikken i denne boken. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\" class=\"Normal1\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.5pt;\"\u003eFilosofi på livets scene er boken for deg som kjenner på at livet taler til deg. Da er du på sporet av Heideggers værensspørsmål. Heidegger er en positiv tenker. Han er besatt av det som er. Han kaller det væren. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\" class=\"Normal1\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.5pt;\"\u003eHeidegger er det beste eksempelet på at filosofi skjer på livets scene og handler om hengivenhet, dedikasjon, lidenskap, begjær og intellektuell appetitt. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\" class=\"Normal1\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.5pt;\"\u003eLivet er ikke flatt og glatt. Derfor er denne boken ingen tørr akademisk bok om Heidegger, men inviterer deg til å være med forfatteren inn i et personlig møte med Heideggers filosofi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.5pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.5pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.5pt; mso-line-height-rule: exactly;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\" lang=\"EN-US\"\u003eForord\u003cbr\u003e\u003cbr\u003eFilosofisk begjær på scenen? Underveis til væren med Martin Heidegger\u003cbr\u003e\u003cbr\u003eHeidegger i klart språk?\u003cbr\u003e\u003cbr\u003eHva er væren?\u003cbr\u003e\u003cbr\u003eVæren som verb\u003cbr\u003e\u003cbr\u003eHeideggers energi\u003cbr\u003e\u003cbr\u003eLæreren Heidegger\u003cbr\u003e\u003cbr\u003eFilosofisk erotikk\u003cbr\u003e\u003cbr\u003eTenkning i bevegelse\u003cbr\u003e\u003cbr\u003eHeideggers fenomenologiske fundamentalsannhet\u003cbr\u003e\u003cbr\u003eGrepet av stemningen\u003cbr\u003e\u003cbr\u003eSannhetshendelsen og tenkningens erfaring\u003cbr\u003e\u003cbr\u003eEn personlig erfaringsanvendelse av Heideggers værensfilosofi i Henrik Ibsens siste drama \u003ci style=\"mso-bidi-font-style: normal;\"\u003eNår vi døde vågner\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eBiografiske tilfeldigheter som værensstemme? Heidegger og Ibsens bergmann\u003cbr\u003e\u003cbr\u003eMitt ubehag i møtet med Heideggers værensfilosofi\u003cbr\u003e\u003cbr\u003eTilbake til scenen\u003cbr\u003e\u003cbr\u003eLitteratur\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Normal1\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eHenrik Holm er filosof, pedagog og forsker. Han jobber som professor i filosofi og førsteamanuensis i pedagogikk ved OsloMet og Steinerhøyskolen. Han har doktorgrad i filosofi fra Teknisk Universitet i Dresden og doktorgrad i musikk fra Norges musikkhøgskole. Sin utdannelse tok han i musikk, teologi og filosofi ved Kunst-Universitetet i Berlin og Humboldt-Universitetet i Berlin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-152-8, 114 sider, heftet, format: 14x22 cm, vekt 0,19 kg,\u003cbr\u003epubliseringsår 2024, språk: bokmål\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44078098514118,"sku":"2024-09 978-82-8390-152-8","price":308.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-152-8_hires.jpg?v=1725702315"},{"product_id":"jensen-jens-olai-i-storm-for-frihet-sagatun-folkehogskole","title":"Jenssen, Jens Olai: I storm for frihet. Sagatun folkehøgskole","description":"\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 13.0pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Regular'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Regular';\"\u003e- banebryter for folkestyre, feminisme og velferdspolitikk\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 13.0pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Regular'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Regular';\"\u003eDe sto i storm for frihet, for kunnskap og opplysning, stemmerett, kvinnefrigjøring og sosial rettferdighet. Tittelen på boka er valgt med omhu. Sagatun og Hamar var i flere tiår et radikalt norsk episenter mot pietismen og embetsmannsstaten, som ryddet vei for folkestyre, feminisme og velferdspolitikk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 13.0pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Regular'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Regular';\"\u003e\u003cspan style=\"letter-spacing: -.05pt;\"\u003eSagatun folkehøgskole, med start i 1864, var «en skole for livet», der bygde­ungdom skulle bli engasjerte samfunnsborgere, men også et kontroversielt alternativ til puggeskolen, et fyrtårn for liberale kristne verdier og senter for radikale ideer innen kultur og politikk. Grunnleggerne, Herman Anker og Olaus Arvesen, var inspirert av presten, filosofen og salmedikteren Nikolai Grundtvig. Han sto for en liberal, lysere og lettere teologi, mer folkelig og optimistisk enn hva kirken ville ha, og uttalte «menneske først, kristen så».\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 13.0pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Regular'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Regular';\"\u003e\u003cspan style=\"letter-spacing: -.15pt;\"\u003eBoka tar leserne inn i en spennende periode i norsk historie, der «skolebyen Hamar» fikk en helt spesiell rolle – som arnested for åndskamp, pedagogiske stridigheter og politiske slag med kurs inn i det moderne Norge. Sentralt i fortellingen står også Sagatuns betydning for Hamar – som drivkraft for byens utvikling.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\" style=\"text-align: justify; line-height: 13.0pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"text-align: left; line-height: 14.0pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan;\" align=\"left\" class=\"---Overskrift1\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Regular'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Regular';\"\u003eDel 1\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eTo fortellinger\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003eEn stolt historie\u003cbr\u003eSagatun skinner\u003cbr\u003eFrie mennesker\u003cbr\u003eKulturell storstue\u003cbr\u003e\u003cbr\u003eStorslått nyttårsball\u003cbr\u003eBratt læringskurve\u003cbr\u003eBall i krigstid\u003cbr\u003eDannelse\u003cbr\u003e\u003cbr\u003eDel 2\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eHistorisk bakteppe\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003eBrennpunkt Hamar\u003cbr\u003eTid for opprør\u003cbr\u003eFolkelig radikalisering\u003cbr\u003eOpplysningsbyen\u003cbr\u003eGrundtvig i Norge\u003cbr\u003ePekte på Hamar\u003cbr\u003e\u003cbr\u003eMarkante mødre\u003cbr\u003eMargen i familien\u003cbr\u003eGnistrer i hjemmet\u003cbr\u003eMot fri barneoppdragelse\u003cbr\u003eGrundtvig på Rød\u003cbr\u003eTid for vekkelse\u003cbr\u003eMix møter Herman\u003cbr\u003e\u003cbr\u003eDel 3\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eKontroversiell folkeopplysning:\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003eHistorisk reise til Hamar\u003cbr\u003eFrihet til å lære\u003cbr\u003eBryllupsdag\u003cbr\u003eMjøsa i godlune\u003cbr\u003eMøtet med Hamar\u003cbr\u003eDen store dagen\u003cbr\u003eHvad solskin er....\u003cbr\u003e\u003cbr\u003eVårherres bakgård\u003cbr\u003eFolkeliv i Hamar\u003cbr\u003eUsedelighet\u003cbr\u003eKjøper «syndens bule»\u003cbr\u003e\u003cbr\u003eEt høgskoleslott\u003cbr\u003eHistoriens gårdsplass\u003cbr\u003eFin atmosfære\u003cbr\u003eInspirasjonskilder\u003cbr\u003eTo villaer\u003cbr\u003eIdeer fra Rød\u003cbr\u003eMannsdominert\u003cbr\u003e\u003cbr\u003eEn skole for livet\u003cbr\u003eSagn og mytologi\u003cbr\u003eVerdenshistorien\u003cbr\u003eSeksualundervisning\u003cbr\u003eEget «storting»\u003cbr\u003eFeiring av Grundtvig\u003cbr\u003eJenteklasser\u003cbr\u003eFrigjørende\u003cbr\u003eBygdekvinner\u003cbr\u003e\u003cbr\u003eHjem med lys og varme\u003cbr\u003eSkolemødrene\u003cbr\u003eMye skjønnhet\u003cbr\u003eVrimmel av unger\u003cbr\u003eEt åpent hjem\u003cbr\u003eSommerliv på Thorsø\u003cbr\u003e«Gløersens pikeskole»\u003cbr\u003eTruende fattigdom\u003cbr\u003e\u003cbr\u003eStormen mot Sagatun\u003cbr\u003eMistenkeliggjøring\u003cbr\u003ePontoppidan\u003cbr\u003eLesebokstriden\u003cbr\u003e\u003cbr\u003eMotstandsfronten\u003cbr\u003eDen Saxiske syvårskrig\u003cbr\u003eStrid om Stiftstidende\u003cbr\u003eSkarpere fronter\u003cbr\u003eDet store oppgjøret\u003cbr\u003e\u003cbr\u003eVekst, nedtur og ettervekst\u003cbr\u003eAnkers farvel\u003cbr\u003eNedtur i tyfoidepidemi\u003cbr\u003eNye konkurrenter\u003cbr\u003eNy-Sagatun\u003cbr\u003eHamar døveskole\u003cbr\u003eEtterveksten\u003cbr\u003eFra Sagatun til Seljord\u003cbr\u003e\u003cbr\u003eDel 4\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eTid for frigjøring:\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003eFeministisk glød\u003cbr\u003eAmtmandens Døttre\u003cbr\u003eDjerve kvinner\u003cbr\u003eOpprørsk salmedikter\u003cbr\u003eKjønnskampen\u003cbr\u003e\u003cbr\u003eKvinnene vinner fram\u003cbr\u003eSagatidens kvinnesyn\u003cbr\u003eEt avslørende eventyr\u003cbr\u003eFolkemøtenes tid\u003cbr\u003eUtvist av synagogen\u003cbr\u003eSkarpe stridigheter\u003cbr\u003e\u003cbr\u003eVantroens yppersteprest\u003cbr\u003eNære venner\u003cbr\u003eBjørnson kommer\u003cbr\u003eHeftige stridigheter\u003cbr\u003eStøttespillere\u003cbr\u003eNordisk mønstring\u003cbr\u003eDrama og kortvarig brudd\u003cbr\u003e\u003cbr\u003eEn radikal fritenker\u003cbr\u003eFødt til engasjement\u003cbr\u003eFascinert av Hamar\u003cbr\u003eBohemer i byen\u003cbr\u003eRiksretten\u003cbr\u003eKulturstrid\u003cbr\u003ePolitiaksjoner\u003cbr\u003e\u003cbr\u003eGrenser for ytringsfriheten?\u003cbr\u003eAvslør hykleriet!\u003cbr\u003eKrass mot Castberg\u003cbr\u003eSiste fritenkermøte\u003cbr\u003e\u003cbr\u003eI kjærlighetens flammer\u003cbr\u003eEn radikal skoleby\u003cbr\u003eKatti og Johan\u003cbr\u003eStort dilemma\u003cbr\u003eEt trygt valg\u003cbr\u003eStorfamilien\u003cbr\u003eDypt vennskap\u003cbr\u003eKaren på banen\u003cbr\u003e\u003cbr\u003eKrig på pressefronten\u003cbr\u003eEt slitsomt presseliv\u003cbr\u003eArvesen får sparken\u003cbr\u003eIsfront på Sagatun\u003cbr\u003eOpptøyer mot Anker\u003cbr\u003eEt radikalt avisprosjekt\u003cbr\u003e\u003cbr\u003eGlødende idealister\u003cbr\u003eHamar-fyrstikker\u003cbr\u003eOpptur og nedtur\u003cbr\u003eKriseøkonomi\u003cbr\u003eBremse for utdannelse\u003cbr\u003eEn vennetjeneste\u003cbr\u003ePress fra brødrene\u003cbr\u003eBetent brorskap\u003cbr\u003eFrykt og sinne\u003cbr\u003eEn siste flamme\u003cbr\u003eTung periode\u003cbr\u003eMinnesmerke\u003cbr\u003e\u003cbr\u003eDel 5\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eInn i nyere tid:\u003cbr\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e«Venstrestaten»\u003cbr\u003eIdéskapere\u003cbr\u003eSagatuns venner\u003cbr\u003eCastbergianerne\u003cbr\u003eNy politisk allianse\u003cbr\u003e\u003cbr\u003eDen lyse skolen\u003cbr\u003eLiberale friseminarer\u003cbr\u003eNasjonal strategi\u003cbr\u003eEnhetsskolen\u003cbr\u003eNy lærerutdanning\u003cbr\u003eLeve skolen\u003cbr\u003eEn tredje vei\u003cbr\u003eEn raus og liberal kirke\u003cbr\u003eFrilynt ungdom\u003cbr\u003eGrundtvigs salmer\u003cbr\u003eEn rose på kirkebakken\u003cbr\u003e\u003cbr\u003eFornyelsen av Norge\u003cbr\u003eStrid om stemmeretten\u003cbr\u003eStrid om fossekraften\u003cbr\u003eStrid om barnelover\u003cbr\u003eStrid om abort\u003cbr\u003eVelferd – steg for steg\u003cbr\u003e\u003cbr\u003eTillegg\u003cbr\u003eEttervekst etter Sagatun 1864–1900\u003cbr\u003eLitteratur\u003cbr\u003eKilder\u003cbr\u003eArkiver\u003cbr\u003e\u003cbr\u003eNoter\u003cbr\u003ePersonregister\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Regular'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Regular';\"\u003eForfatter: Jens Olai Jenssen, født 1947, er tidligere sjefredaktør i Opp­land Arbeiderblad. Han har vært seniorrådgiver ved NTNU Gjøvik og i Amedia. Jenssen har utgitt flere bøker, blant annet \u003ci style=\"mso-bidi-font-style: normal;\"\u003eEt brennende hjerte\u003c\/i\u003e, om Johan Castberg, som sosialpolitisk pioner og banebryter for velferdsstaten, og en biografi om Katti Anker Møller, i samarbeid med Elisabeth Lønnå.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Regular'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Regular';\"\u003eBilledredaktør: Magnus Sølna Jacobsen, født 1992, har tilrettelagt og billedsatt flere lokalhistoriske utgivelser fra Hamar-området, deriblant de tre seneste bøkene til historiker Per-Øivind Sandberg, \u003ci style=\"mso-bidi-font-style: normal;\"\u003eNabolaget\u003c\/i\u003e (2018), \u003ci style=\"mso-bidi-font-style: normal;\"\u003eHamars første 100 år\u003c\/i\u003e (2021) og \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSigrid Sæhlie – en biografi\u003c\/i\u003e (2023). Jacobsen er også styreleder for den nyopprettede \u003ci style=\"mso-bidi-font-style: normal;\"\u003eVenneforeningen til Sagatuns fremme\u003c\/i\u003e, tilknyttet Katti Anker Møllers barndomshjem på Sagatun.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; line-height: 13.0pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-153-5, 366 sider, innbundet, format: 17x24 cm, vekt 1 kg, publiseringsår 2024, språk: bokmål\u003cbr\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44106617192646,"sku":"2024-09 978-82-8390-153-5","price":429.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-153-5_hires.jpg?v=1726648648"},{"product_id":"fjagesund-nordstoga-baklid-red-songen-og-teksten-fra-draumkvedet-til-dimmu-borgir","title":"Fjågesund\/Nordstoga\/Baklid (red.): Songen og teksten. Frå Draumkvedet til Dimmu Borgir","description":"\u003cp class=\"Normal1\" style=\"text-align: justify; line-height: 14.5pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eSonglyrikk er ei av dei sterkaste og mest populære kunstnar­lege uttrykksformene i vår tid, men den har òg sterke historiske røter. I ei rad med aktuelle artiklar diskuterer forfattarane i denne boka tilhøvet mellom songen og teksten over eit breitt spekter med omsyn til både fortid, samtid og tema. Spanande samanhengar kjem til syne, der ulike sjangrar som folkeviser, viserock, rock, rap og svartmetall bryner seg på kvarandre i eit samspel mellom folkelege tradisjonar og høglitterær kunstdikting. Samstundes er boka ei markering av to representantar for høvesvis norsk forsking og internasjonal praksis innan feltet: Olav Solberg og Bob Dylan, som båe held fram med å produsere etter fylte 80 år!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Normal1\" style=\"text-align: justify; line-height: 14.5pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eBoka er redigert av Peter Fjågesund, Sveinung Nordstoga og Herleik Baklid. Dei arbeider alle ved\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUniversitetet i Søraust-Noreg.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 107%;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri;\"\u003eInnhald\u003c\/span\u003e\u003c\/strong\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Calibri Light'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Calibri Light';\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eFøreord \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eLiv Kreken: \u003cbr\u003eOlav Solberg og den norske mellomalderballaden \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eHerleik Baklid: \u003cbr\u003e«I broksvalinn der skal domen stande»: Ei alternativ tolkning av ordet broksvalinn i Draumkvedet \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eIngrid Skjerdal: \u003cbr\u003eSømsanger og visevev: Om mestermøyer og skjebnetråder i nordisk balladetradisjon \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eOlav Solberg: \u003cbr\u003eSeksualitet og incest i norske mellomalderballadar \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eÅshild Mogstad Aspøy: \u003cbr\u003eFredmans naturlige habitat: Om naturkonstruksjonene i Carl Michael Bellmans \u003ci style=\"mso-bidi-font-style: normal;\"\u003eFredmans epistlar\u003c\/i\u003e og \u003ci style=\"mso-bidi-font-style: normal;\"\u003eFredmans sånger\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eJohan M. Staxrud og Inga H. Undheim: \u003cbr\u003eSpill, svir og skjebnesang: En studie av to litterære spillmotiv – fra folkelig vise til moderne prosa \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003ePeter Fjågesund:\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003cbr\u003eMellom folk, elite og nasjon: Språk og musikk i Robert Burns’ sanger \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eThomas Seiler: \u003cbr\u003e«Ei bør min Vise du letsindig sjunge»: Gjest Baardsens skillingsviser på bakgrunn av hans selvbiografi \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eErling Aadland:\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003cbr\u003eDylan og diktet: Betydning og mening \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eArnfinn Åslund: \u003cbr\u003eBlues på norsk: Om Sunde, Virud, Paus og Bjørnson \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eSveinung Nordstoga: \u003cbr\u003eIntertekstuelle bodskapar: Om nokre låtar av Bjørn Afzelius \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eSigrun Blaavarp Heimdal: \u003cbr\u003eSkriket innanfrå, skriket utanfrå: Fellesskap og utanforskap i norsk svartmetall \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eEyolf Østrem: \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eRough and Rowdy Ways\u003c\/i\u003e og Dylans minimalistiske formutf­orskning \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eKjell Andreas Oddekalv: \u003cbr\u003eLyrisk brunst: Rapanalysens form, mål og formål \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eOm forfattarane\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 107%;\"\u003e \u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-159-7, 299 sider, heftet, format: 15,5x23 cm, vekt 0,5 kg,, publiseringsår 2024, språk: nynorsk\/bokmål\u003c\/p\u003e\n\u003cp\u003eÅpen tilgang: omp.novus.no\u003c\/p\u003e\n\u003cp class=\"Normal1\" style=\"text-align: justify; line-height: 14.5pt; mso-line-height-rule: exactly; mso-hyphenate: none;\"\u003e \u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44207390130374,"sku":"2024-10 978-82-8390-159-7","price":385.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-159-7_hires.jpg?v=1730286199"},{"product_id":"norli-blengsdalen-red-grever-og-undersatter-grevskapene-jarlsberg-og-larvik","title":"Norli\/Blengsdalen (red.): Grever og undersåtter. Grevskapene Jarlsberg og Larvik","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003eDen 30. mai 1799 kom skipet «Frederich Julius Kooc» fra St Croix i Vestindia, ført av kaptein Hermann Samsing, seilende inn Tønsbergfjorden. Skipet la seg for anker ved Jarlsøy, som var langt innenfor den faste ankerplassen der langveisfarende skip var påbudt å ankre opp, og mannskapet gikk i land. Havnemyndighetene ble varslet, og dagen etter ble kapteinen oppsøkt og spurt om hvorvidt losen hadde oppfylt sine plikter når det gjaldt bestemmelsene om karantene. Det hadde han ikke.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003eDenne historien peker mot ulike tema som blir behandlet i denne antologien. Forfatterne bidrar med artikler fra mange forskjellige fagfelt og perspektiv for å belyse trekk av Vestfolds tidlige historie. Det handler om migrasjon og slavehandel, grever og grevinner, skogbruk og kystkultur, musikkmonopol og sosial kontroll over menneskenes daglige strev.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eInnhold \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\" lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eForord \u003cbr\u003eInnledning \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eJarlsberg grevskap 1673–1821 \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Øystein Rian\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eHerman Wedel Jarlsberg som godseier 1811–1840 \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Carl Emil Vogt\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eGrevinne Catharina Wedel Jarlsberg (1756–1802) \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Birthe Østergaard Kristiansen \u003cbr\u003e\u003c\/i\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eFødsel i dølgsmål – kvinneskjebner i grevskapene \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Anita Wiklund Norli\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eSkogene – en konfliktarena i Larvik grevskap \u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-bidi-language: NO-NYN;\"\u003eAv Bjørn Bækkelund\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-bidi-language: NO-NYN;\"\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eMusikkliv i Jarlsberg grevskap på 1600- og 1700-tallet\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-ansi-language: EN-US;\"\u003e \u003cspan lang=\"EN-US\"\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Anne Svånaug Blengsdalen\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eFlyttemønstre til og innad i grevskapene fram mot 1801 \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Kristian Hunskaar\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eSykdom og smitte \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Bjørn Bækkelund og Anita Wiklund Norli\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eFyret på Store Færder i 160 år 1697–1857 \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Finn Erhard Johannessen\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eFredriksvern verft – ingen stor suksess \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Finn Erhard Johannessen\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eGrevskapene og koloniene \u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAv Anita Wiklund Norli\u003c\/i\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eForfatteromtaler \u003cbr\u003eTakk \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-bidi-language: NO-NYN;\"\u003eTabula gratulatoria\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-ansi-language: EN-US;\"\u003e \u003cspan lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-bidi-language: NO-NYN;\"\u003eArkivkilder\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-ansi-language: EN-US;\"\u003e \u003cspan lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; mso-bidi-language: NO-NYN;\"\u003eLitteraturliste\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003eRedaktører:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003eAnita Wiklund Norli (f. 1960) er førsteamanuensis i historie ved Universitetet i Sørøst-Norge med særlig kompetanse i eldre historie fram til tidlig 1800-tall. PhD med avhandlingen \u003ci\u003eGud velsigne mit høye og Naadige herschab, som mig haver forundt arbeyde: Sosiale og\u003c\/i\u003e \u003ci\u003ekulturelle forhold bland arbeider ved Fritzøe jernverk i perioden 1690–1790, UiO (2017).\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003eAnne Svånaug Blengsdalen (f. 1956) er professor emerita i musikkformidling og musikkhistorie ved Universitetet i Sørøst-Norge, med kompetanse innen norsk musikkhistorie på 1600- og 1700-tallet og norsk folkemusikk. PhD med avhandlingen \u003ci\u003eMed Spil at betiene Alle og Eenhver. Stadsmusikantordningen i Norge i perioden 1660–1800, med særlig vekt på Kongsberg og Skien\u003c\/i\u003e, NTNU (2015).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003eFinnes i følgende formater:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%;\"\u003ePapirbok: ISBN 978-82-8390-158-0, 397 sider, innbundet, format: 17,5x24,5 cm, vekt 1,1 kg, publiseringsår 2024, språk: bokmål\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44229383160006,"sku":"2024-10 978-82-8390-158-0","price":495.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-158-0_hires.jpg?v=1731145990"},{"product_id":"norsk-litteraer-arbok-2024","title":"Norsk Litterær Årbok 2024","description":"\u003cp\u003eI år er det 100 år sidan Arne Garborg gjekk bort. Det har vorte markert i både aviser (Dag og Tid) og ved museum i landet (Garborgsenteret på Bryne). I dette nummeret gjev Espen Grønlie ei nylesing av Haugtussa (1895), som tek utgangspunkt i korleis resepsjonen har vurdert «naturen» i langdiktet. Grønlie syner korleis dei tolkingane av verket er mest heldige, som legg størst vekt på men- nesket sjølv som natur. Veslemøys utvikling er dermed ikkje ei atterspegling av na- turen kring henne, men ein del av han. Jon Fosse vart i fjor tildelt nobelprisen. Jamvel om vi no er komne til 2024, feirar vi òg denne prisutdelinga med ein analyse av Kvitleik (2023). Gjennom ei intertekstuell undersøking peikar Øyvind Tveite- reid Gulliksen på Fosses inspirasjonskjelder – alt frå Dante, i den kjende attdiktinga til Henrik Rytter og Sigmund Skard – til Moby Dick av Herman Melville. I fjor gjekk Hans Herbjørnsrud bort. Dette nummeret av NLÅ markerer òg novellekun- sten til denne for mange kjære forfattaren gjennom ein undersøking Kjell Ivar Skjerdingstad har gjort. I sin artikkel argumenterer han for at Herbjørnsrud i fleire noveller produserer eit nærvær hjå lesaren, og ved å nytte «skulptur» som metafor, viser Skjerdingstad korleis skulpturen dukkar opp som kalligram hos Herbjørnsrud, men òg korleis skulpturering og skulpturar i ulikt material stig fram i fleire noveller. Lesaren vil vidare finne andre spennande artiklar i dette nummeret. Det er ekstra hyggjeleg å ha ein ung litteraturforskar med på laget, Ingrid Lorange, som i fjor vart master på basis av ei oppgåve om bruken av levende modellar i forfattar- skapen til Laura Kieler. Artikkelen hennar er ein omarbeidd versjon av delar av masteroppgåva. Lorange gjer ei nylesing av den samtidige resepsjonen av Kielers Mænd af Ære (1890) og Gunnar Heibergs Kong Midas (1890), og viser korleis Kie- ler – uretvist – møtte større motbør enn forfattarkollegaen Heiberg. Vi kan òg tilby tre andre artiklar: Ståle Dingstad undersøkjer korleis Absalon Pederssøn Beyers Om Norgis rige (1567) blir oppfatta av den fiktive karakteren og historikaren ved namn Fjord i Dag Solstads Roman 1987. I same artikkel ser Dingstad òg resepsjonen av Beyers noregsskildring i lys av Solstads roman. Morten Auklend har òg levert eit forvitneleg bidrag som etablerer kontakt mellom eit moderne og eit historisk verk. Auklend granskar i sin artikkel ei rekkje allusjonar i Ingvild Burkeys diktsamling Den mest tenkelige av alle verdener (2008) til filosofen Leibniz’ Monadologien (1714). Ei nærlesing av lyrikk avsluttar også årboka. Hadle Oftedal Andersen les Inger Eli- sabeth Hansens dikt «Bruk og misbruk av klippeblåvingen» frå Å resirkulere leng- selsen, avrenning foregår (2015), der han knyter seg til Timothy Mortons utgreiing av sambandet mellom økokritikk og dekonstruksjon.\u003c\/p\u003e\n\u003cp style=\"text-align: left; line-height: 13.0pt; mso-line-height-rule: exactly; mso-pagination: none; page-break-after: auto;\" align=\"left\" class=\"---Overskrift1\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e\u003cstrong\u003eInnhald \u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eFøreord – Norsk litterær årbok 2024\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps;\" lang=\"NO-NYN\"\u003eEspen Grønlie\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eNaturbegrepet i \u003ci\u003eHaugtussa\u003c\/i\u003e-resepsjonen\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps;\" lang=\"NO-NYN\"\u003eØyvind T. Gulliksen\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eJon Fosses \u003ci\u003eKvitleik\u003c\/i\u003e – Ei metafor-historisk lesing \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps;\" lang=\"NO-NYN\"\u003eKjell Ivar Skjerdingstad\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eHans Herbjørnsrud, ordskulptør \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps;\" lang=\"NO-NYN\"\u003eIngrid Lorange\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eMenn av ære og levende modeller – \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: DA;\" lang=\"DA\"\u003eMotstanden mot Laura Kielers \u003ci\u003eMænd af Ære\u003c\/i\u003e (1890) og Gunnar Heibergs \u003ci\u003eKong Midas\u003c\/i\u003e (1890) \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps;\" lang=\"NO-NYN\"\u003eStåle Dingstad\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eAbsalon Beyers \u003ci\u003eOm Norgis rige\u003c\/i\u003e (1567) i lys av Dag Solstads \u003ci\u003eRoman 1987\u003c\/i\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps;\" lang=\"NO-NYN\"\u003eMorten Auklend\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eForeliggende filosofier om verden – \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: DA;\" lang=\"DA\"\u003eLeibniz som pretekst i Ingvild Burkeys \u003ci\u003eDen mest tenkelige av alle verdener\u003c\/i\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps;\" lang=\"NO-NYN\"\u003eHadle Oftedal Andersen\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; font-variant: small-caps; mso-ansi-language: NO-BOK;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003e«En farkost for lengselen min» – \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: DA;\" lang=\"DA\"\u003eØkopoesi, dekonstruksjon og Inger Elisabeth Hansens «Bruk og misbruk av klippeblåvingen» \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-BOK;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: DA;\" lang=\"DA\"\u003eBidragsytarar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-161-0, ISSN 0078-1266, 155 sider, heftet, format: 15x21,5 cm, vekt 0,26 kg, publiseringsår 2024, språk: nynorsk\/bokmål\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44252324004038,"sku":"978-82-8390-161-0","price":429.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/NLA2024omslag_Page_1.jpg?v=1732114289"},{"product_id":"haaland-gunn-titus-livius-roma-og-italia-innledning-ved-tor-ivar-ostmoe","title":"Haaland, Gunn: Titus Livius. Roma og Italia. Innledning ved Tor Ivar Østmoe","description":"\u003cp style=\"text-align: justify; text-justify: inter-ideograph; line-height: 13.5pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eMed denne utgivelsen foreligger bok 6–10 av Titus Livius’ store verk om romersk historie for første gang på norsk, oversatt og med noter av Gunn Haaland. Utgivelsen følger hennes tidligere oversettelse av de fem første bøkene, \u003ci\u003eRomas eldste historie \u003c\/i\u003e(2012), som også var den første til norsk. Med dette foreligger nå hele den første delen av Livius’ bevarte historieverk på norsk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify; text-justify: inter-ideograph; line-height: 13.5pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-162-7, 250 sider, heftet, format: 17x24 cm, vekt 0,5 kg,, publiseringsår 2024, språk: bokmål \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44266167861446,"sku":"2024-11 978-82-8390-162-7","price":385.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-162-7_hires.jpg?v=1732718114"},{"product_id":"rabben-sanders-og-saether-red-midtnorske-historier-copy","title":"Eliasson\/Rabben\/Strøm (red.): Midtnorske historier 2","description":"\u003cp class=\"p1\"\u003eFagfellevurdert spesialutgave av Trondhjemske samlinger\u003c\/p\u003e\n\u003cp style=\"line-height: 150%;\" class=\"MsoNormal\" data-mce-style=\"line-height: 150%;\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 150%; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Times New Roman';\" data-mce-style=\"font-size: 10.0pt; line-height: 150%; font-family: 'Aptos',sans-serif; mso-bidi-font-family: 'Times New Roman';\"\u003eHer er den, andre utgave av \u003ci\u003eMidtnorske historier – Fagfellevurdert spesialutgave av Trondhjemske samlinger\u003c\/i\u003e. I likhet med bidragene i første utgave, bygger tekstene i denne på foredrag avholdt under Midtnorsk historieseminar. Seminaret har siden oppstarten i 2020 hatt som mål å være en arena for forskningsbasert formidling og diskusjon av midtnorsk historie, arrangert av HIFO Trøndelag. Eliassons, Hoves, Hallem \u0026amp; Frølands samt Sanders’ kapitler bygger alle på foredrag avholdt under det tredje Midtnorske historieseminar 31. august 2022, mens Reitans artikkel bygger på et foredrag avholdt under det fjerde Midtnorske historieseminar 30. august 2023. Siden 2021 har Midtnorsk historieseminar hvert år blitt avholdt i Banksalen i den gamle hovedbygningen til Trondhjems Sparebank. Denne bygningen har derfor også fått pryde omslaget på denne utgivelsen. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" data-mce-style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eMidtnorske historier\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" data-mce-style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-BOK; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e er et samarbeidsprosjekt mellom Trondhjems historiske forening og HIFO Trøndelag, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eInnhold:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"---kapitteloverskrift\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eForord. \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eAv Emil Mård Vaadal Eliasson, Magne Brekke Rabben og Knut Ola Naastad Strøm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eKildene til Ågrips Hårfagresaga – Forsøk på rekonstruksjon. \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eAv Emil Mård Vaadal Eliasson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'PT Sans';\"\u003eTrøndelag, Atlanterhavet og transatlantisk slavehandel: Historie og kulturminne. \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eAv Jon Olav Hove\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eMigrasjon som mikrohistorie:\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDen jødiske innvandringen fra Øst-Europa til Trondheim. \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eAv Jon Reitan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003ePress, plikt og profitt: Trondheims­entreprenørene og flyplassbyggingen i trondheimsområdet 1940–45. \u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eAv Inger Fagerberg Hallem og Hans Otto Frøland\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: left;\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e«…hvis malmrøst hørtes så vidt over val»: Historien om Stentofon.\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eAv Andreas R.D. Sanders\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLes mer om arbeidet til Trondhjems Historiske Forening \u003ca href=\"https:\/\/trondhjemshistoriske.no\" title=\"Hjemmeside for Trondhjems Historiske Forening\" target=\"_blank\" data-mce-href=\"https:\/\/trondhjemshistoriske.no\"\u003eher\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-160-3, 186 sider, innbundet, format: 17x25 cm, vekt 0,48 kg, publiseringsår 2024, språk: bokmål\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44297837183174,"sku":"2024-12 978-82-8390-160-3","price":385.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/9788283901603.jpg?v=1733992541"},{"product_id":"lykke-guanio-uluru-and-colin-davis-eds-narrative-ethics-negotiating-values-essays-in-honour-of-jakob-lothe","title":"Lykke Guanio-Uluru and Colin Davis (eds.): Narrative Ethics: Negotiating Values. Essays in honour of Jakob Lothe","description":"\u003cp\u003eThis book seeks to honour Jakob Lothe for his significant contributions to narrative studies and to literary studies more generally, in an international as well as Norwegian national context. It does so by offering a collection of essays on narrative ethics that in various ways engage with aspects of Lothe’s academic work, seeking to add to the understanding of some of the texts, authors, artworks, and topics that have been central to Lothe’s own writing in the course of his distinguished career.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"----Overskrift1\" style=\"margin-bottom: 0cm; mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\u003cstrong\u003e\u003cspan class=\"Overskrift11\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eContents\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"----Overskrift1\" style=\"margin-bottom: 0cm; mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\u003cspan class=\"Overskrift11\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eIntroduction \u003cbr\u003eby Lykke Guanio-Uluru and Collin Davis\u003cbr\u003e\u003cbr\u003eBooks by Jakob Lothe\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro Bold'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro Bold';\"\u003ePart 1: Ethics and Aesthetics\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eChapter 1: “Jakob Lothe Does Not Know”\u003cbr\u003eby Colin Davis\u003cbr\u003e\u003cbr\u003eChapter 2: “Å skrive om andre: Etikk i litteratur og film”\u003cbr\u003eby Eli Løfaldli\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"letter-spacing: -.15pt;\"\u003eChapter 3: “Ethics or Aesthetics? Refugee Literature’s Double-bind”\u003c\/span\u003e\u003cbr\u003eby Ulla Rahbek\u003cbr\u003e\u003cbr\u003eChapter 4: “Hva kommer etter tidsvitnene? Etiske og estetiske dimensjoner i Simon Strangers romaner \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eLeksikon om \u003cspan style=\"letter-spacing: -.15pt;\"\u003elys og mørke \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.15pt;\"\u003e(2018) og \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.15pt;\"\u003eMuseum for mordere og redningsmenn\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.15pt;\"\u003e (2023)”\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003eby Anette Homlong Storeide\u003cbr\u003e\u003cbr\u003eChapter 5: “Changing Perceptions of Jane Austen’s Ethical Status and their Relation to Values Embedded in her Novels”\u003cbr\u003eby Marie Nedregotten Sørbø\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro Bold'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro Bold';\"\u003ePart 2: Reading and Rereading\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eChapter 6: “Virginia Woolf’s \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eThe Waves\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e and the Reader’s Interpretation of Narrative”\u003cbr\u003eby Jeremy Hawthorn\u003cbr\u003e\u003cbr\u003eChapter 7: “‘The baffling things that are left over’: A Note on the Untimely in the Early Reception of \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eThe Turn of the Screw\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e”\u003cbr\u003eby Stuart McWilliams\u003cbr\u003e\u003cbr\u003eChapter 8: “On Rereading: Revisiting Jonathan Littell’s \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eThe Kindly Ones\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e”\u003cbr\u003eby Hanna Meretoja\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"letter-spacing: -.1pt;\"\u003eChapter 9: “\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.1pt; mso-ansi-language: NO-BOK; mso-fareast-language: NO-BOK; mso-bidi-language: NO-BOK;\"\u003eLitterære avfallsdialogar i bildeboka \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.1pt; mso-ansi-language: NO-BOK; mso-fareast-language: NO-BOK; mso-bidi-language: NO-BOK;\"\u003eSinko og Flinko stablar om\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.1pt; mso-ansi-language: NO-BOK; mso-fareast-language: NO-BOK; mso-bidi-language: NO-BOK;\"\u003e (2022) – ei helsing frå gatene i Bergen\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.1pt;\"\u003e”\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003eby Nina Goga\u003cbr\u003e\u003cbr\u003eChapter 10: “‘They treat the child as if he is a thing, and now the thing is broken, right.’ Raymond Carver’s ‘Little Things’ in Literature Circles”\u003cbr\u003eby Åsmund Hennig\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro Bold'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro Bold';\"\u003ePart 3: Voices\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eChapter 11: “Røysta som etisk fordring”\u003cbr\u003eby Jan Inge Sørbø\u003cbr\u003e\u003cbr\u003eChapter 12: “Uncle Charles Revisited: Does Free Indirect Style Enable or Prevent Critical Judgement?”\u003cbr\u003eby Juan Christian Pellicer\u003cbr\u003e\u003cbr\u003eChapter 13: “The Narrative Imperative: Giving Voice to the Marginalized, Two Japanese Perspectives”\u003cbr\u003eby Anne Thelle\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003eChapter 14: “Plant Perspective(s) and Plant Voice(s): Storying Plant-Human Interrelationships”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"--Brdtekst1avsnitt\" align=\"left\" style=\"text-align: left; tab-stops: right dotted 310.4pt;\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eby Lykke Guanio-Uluru\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"--Brdtekst1avsnitt\" align=\"left\" style=\"text-align: left; tab-stops: right dotted 310.4pt;\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eContributors\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"--Brdtekst1avsnitt\" align=\"left\" style=\"text-align: left; tab-stops: right dotted 310.4pt;\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eIndex\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"--Brdtekst1avsnitt\" align=\"left\" style=\"text-align: left; tab-stops: right dotted 310.4pt;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003eTabula Gratulatoria\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"--Brdtekst1avsnitt\" align=\"left\" style=\"text-align: left; tab-stops: right dotted 310.4pt;\"\u003ePublished in the following formats:\u003cbr\u003ePaper: ISBN 978-82-8390-164-1, 272 pp, hardcover, format: 15,8x22 cm, weight 0,5 kg,, year of publication 2025, language: English, Norwegian\u003cbr\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44442897449158,"sku":"2025-02 978-82-8390-164-1","price":400.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-164-1_hires.jpg?v=1739446397"},{"product_id":"nyhus-svein-henrik-og-silje-harr-svare-red-gyrdir-eliassons-forfatterskap","title":"Nyhus, Svein Henrik og Silje Harr Svare (red.): Gyrðir Elíassons forfatterskap","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-size: 10.0pt;\"\u003eGyrðir Elíasson var festivalpoet under Nordisk poesifestival | Rolf Jacobsen-dagene på Hamar i 2023. Hans forfatterskap er sentralt i den islandske så vel som den nordiske samtidslitteraturen. Fra debuten med Svarthvít axlabönd (Svarthvite bukseseler) i 1983 har Elíasson mer eller mindre vært fulltidsforfatter, samt oversetter. Etter å ha mottatt flere islandske litteraturpriser ble Elíasson også tildelt Nordisk råds litteraturpris for novellesamlingen Milli trjánna (Mellom trærne) i 2011. Elíassons tekster står i dialog med både den nyere og den historiske islandske litteraturen, med norsk, svensk og dansk litteratur så vel som med forfatterskap fra det øvrige europeiske og nordamerikanske språk- og kulturområdet. Oversettelsen av Elíassons forfatterskap til de nordiske litteraturspråkene kan betraktes som en viktig del av denne dialogprosessen, og får derfor\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eogså oppmerksomhet i denne antologien.\u003cbr\u003eElíassons forfatterskap preges både av sjangerbredde og av en sjangerover-gripende egenart. Han har utgitt romaner, noveller og lyrikk, men uavhengig av sjanger viser hans forfatterskap en særegen reseptivitet eller åpenhet som gjerne kan kalles poetisk. Tekstene kan framstå som dagklare, men med åpninger mot det som omgir det synlige. I sin klarhet rommer de dermed også steg ut av det konkrete: fra livet mot døden, fra våkenhet mot drøm\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eog fra nåtid mot fortid og framtid. \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-size: 10.0pt;\"\u003eAntologien tilbyr en bred undersøkelse av Elíassons forfatterskap og rommer bidrag fra både forlegger, gjendiktere, kritikere, filologer og litteraturvitere: Hanne Bramness, Jon Gunnar Jørgensen, Ole Karlsen, Ranveig Kvinnsland, Anemari Neple, Svein Henrik Nyhus, Dan Ringgaard, Hans Kristian Rustad, Erik Skyum-Nielsen, John Swedenmark og Oskar Vistdal.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-size: 10.0pt;\"\u003e\u003cbr\u003eRedaktører for boka er førsteamanuensis Svein Henrik Nyhus og første-amanuensis Silje Harr Svare, begge ved Universitetet i Innlandet.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 13.5pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan lines-together;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eForord\u003cbr\u003e\u003cbr\u003eJon Gunnar Jørgensen\u003cbr\u003eÅ dikte for livet. Om dødsmotivet hos Gyrðir Elíasson og Egil Skallagrimsson\u003cbr\u003e\u003cbr\u003eJohn Swedenmark\u003cbr\u003eI slutet finns början\u003cbr\u003e\u003cbr\u003eErik Skyum-Nielsen\u003cbr\u003eGyrðir Elíasson lyrik. En oversætters betragtninger\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003eOskar Vistdal\u003cbr\u003eNorsk omdikting av Gyrðir Elíassons poesi og prosa\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eHanne Bramness\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eReisebrev\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eOle Karlsen\u003cbr\u003eBrakylogi, lakonisme, gnomisme. Om estetiske tildriv i det moderne kortdiktet – med eksempler fra Gyrðir\u003ci style=\"mso-bidi-font-style: normal;\"\u003e \u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: IS; mso-fareast-language: IS; mso-bidi-language: IS;\" lang=\"IS\"\u003eElíassons poesi\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003cbr\u003eDan Ringgaard\u003cbr\u003eEnsomhed. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: DA; mso-fareast-language: DA; mso-bidi-language: DA;\" lang=\"DA\"\u003eHos Herman Bang, Gunnar Ekelöf og Gyrðir Elíasson\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003cbr\u003eSvein Henrik Nyhus\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: DA; mso-fareast-language: DA; mso-bidi-language: DA;\" lang=\"DA\"\u003eEt sted mellom mennesker og kunsten – om den bevegelige ensomheten i Gyrðir Elíassons \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSteintre\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eAnemari Neple\u003cbr\u003eTrøst, trass og stille protest. Ensomhet og fellesskap i Gyrðir Elíassons \u003ci style=\"mso-bidi-font-style: normal;\"\u003eDrøymevegring\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eRanveig Kvinnsland\u003cbr\u003eOm fortid, nåtid og fremtid i et utvalg dikt fra \u003ci style=\"mso-bidi-font-style: normal;\"\u003eHer veks ingen sitrontre\u003c\/i\u003e (2012)\u003cbr\u003e\u003cbr\u003eHans Kristian S. Rustad\u003cbr\u003eGyrðir Elíassons spøkelser og lyrikkens hauntologi\u003cbr\u003e\u003cbr\u003eOle Karlsen\u003cbr\u003eÅ skrive og å lese. Utdrag fra en samtale med Gyrðir Elíasson\u003cbr\u003e\u003cbr\u003eOm bidragsyterne\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 13.5pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan lines-together;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 12.0pt; mso-bidi-font-size: 10.0pt;\"\u003eUtgivelsen er nr. 12 i serien Nordisk samtidspoesi.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-137-5, 229 sider, heftet, format: 14x22 cm, vekt 0,3 kg,, publiseringsår 2025, språk: nynorsk\/bokmål\/svensk\/dansk\u003c\/p\u003e\n\u003cp\u003eÅpen tilgang: omp.novus.no\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44486241681606,"sku":"2025-03 978-82-8390-137-5","price":325.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/987-82-8390-137-5_hires_86b59c20-8c23-4566-afbd-511682d073dc.jpg?v=1741274520"},{"product_id":"kyllingstad-menneskeaandens","title":"Kyllingstad, Jon Røyne: Menneskeåndens universalitet. Instiutttet for sammenlignende kulturforskning 1917-1940","description":"\u003cp class=\"Normal3\" style=\"margin-bottom: 0cm; text-align: justify;\"\u003e\u003cspan style=\"mso-bidi-font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.15pt;\"\u003eInstituttet for sammenlignende kulturforskning ble opprettet i kjølvannet av første verdenskrig. Det skulle være en møteplass for akademikere fra tidligere fiendeland og en motvekt mot nasjonalistisk historieskriving og rette forskerblikket mot det som er felles for all menneskelig kultur. Instituttet endte allikevel opp med å bruke store deler av sine ressurser på å kartlegge «bondesamfunnets» sosiale og kulturelle historie i Norge, og utforske temaer som siden 1800-tallet hadde stått sentralt i fortellinger om nasjonens fortid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Normal3\" style=\"margin-bottom: 0cm; text-align: justify;\"\u003e\u003cspan style=\"mso-bidi-font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.15pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Normal3\" style=\"margin-bottom: 0cm; text-align: justify;\"\u003e\u003cspan style=\"mso-bidi-font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.25pt;\"\u003eDenne boka gir en bred framstilling av Instituttets tilblivelse og storhetstid på 1920- og 1930-tallet. Den belyser blant annet forholdet mellom instituttets nasjonsbyggende og inter­nasjonalistiske aktiviteter og idealer og den sterke påvirkningen instituttet hadde på de humanistiske fagenes utvikling i Norge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003eForord\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eInnledning\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eInstituttets program\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eForeliggende litteratur\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eAvhandlingens mål\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eNoen prinsipielle betraktninger\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro Bold'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro Bold';\"\u003eDel A\u003cbr\u003eInstituttet etableres. Fredsbyggende og nasjonsbyggende kultur­forskning\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro Bold'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro Bold'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e1. Verdensakademier. Skandinavia og den åndelige gjenoppbygging etter første verdenskrig\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e2. Fra Nobelakademi til Institutt for sammenlignende kulturforskning\u003cbr\u003e3. Fredsbygging og nasjonsbygging\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e4. Instituttet og instituttkretsen\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003eDel A \u003cbr\u003eKonklusjon: Fredsbyggende og nasjonsbyggende kulturforskning\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro Bold'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro Bold';\"\u003eDel B\u003cbr\u003eInstituttet møter verden\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003e5. Forelesningsrekkene\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e6. Jakten på amerikanske dollar\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e7. Instituttet og Sovjetunionen\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e8. Den amerikanske drømmen glipper\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e9. Fredsbyggende kulturforskning i skyggen av Hitler-Tyskland\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eDel B: Noen oppsummerende betraktninger 254\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro Bold'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro Bold';\"\u003e\u003cbr\u003eDel C\u003cbr\u003eForskningen\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003e10. Stang og rettsvitenskapen 270\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e11. Alf Sommerfelt, durkheimsk sosiologi og sammenlignende kulturforskning\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e12. Folkeminner: nasjonale kulturskatter eller kosmopolitter?\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e13. Vitenskapen og samene ca. 1840–1923\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e14. Ole M. Solberg og opprettelsen av det arktiske arbeidsprogrammet\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e15. Ideen om rase\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e16. Arkeologien, nasjonen og samene\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e17. Lappologien og reindriften\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e18. Lappiske rettsstudier\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e19. Bonden i norgeshistorien og i verdenshistorien\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e20. Bondesamfunnsprogrammet opprettes\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e21. Bondesamfunnsprosjektet etter Bulls død\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e22. Andreas Holmsen og gårdsundersøkelsene\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003eVedlegg\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eOversikt over benyttede arkiver og forkortelser i fotnoter og litteraturliste\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eLitteratur\u003cbr\u003eIllustrasjoner\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eInstituttet for sammenlignende kulturforskning. Serie B: 178\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-165-8, 745 sider, innbundet\u003cbr\u003eFormat: 17x24 cm, vekt 1,5 kg, publiseringsår 2025, språk: bokmål\u003cbr\u003e\u003c\/p\u003e","brand":"Novus","offers":[{"title":"Default Title","offer_id":44490165616838,"sku":"2025-03 978-82-8390-165-8","price":490.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-165-8_hires.jpg?v=1741357161"},{"product_id":"hempel-kari-g-tro-pa-praerien-moter-tro-pa-gronland","title":"Hempel, Kari G.: Tro på prærien møter tro på Grønland","description":"\u003cp\u003eI \u003cem\u003eTro på prærien møter tro på Grønland\u003c\/em\u003e blir to religiøse samfunn studert, en norskamerikansk menighet etter 1870 og en norskpakistansk moské etter 1970. Eksemplene er hentet fra hver sin epoke av norsk migrasjonshistorie, fra utvandringen på 1800- og begynnelsen av 1900-tallet som i stor grad gikk til USA, og fra innvandringen etter 1970 med mange innvandrere fra fjerntliggende land, som Pakistan. Hensikten har vært å studere likheter og ulikheter mellom historisk norske religiøse samfunn i USA og muslimske samfunn i Norge. To sentrale spørsmål går igjen: Hvilke endringer fant sted i immigrantmenighetene? Hvilken betydning har religion hatt i integreringsprosessen? Svarene viser likheter og ulikheter i religiøs tilpasning til vertslandets kultur og normer. Et tredje spørsmål, om vertslandet påvirkes av nye immigranter, utgjør også en del av analysen. Begrepene \u003cem\u003eMigrasjon, religion\u003c\/em\u003e og \u003cem\u003eintegrering\u003c\/em\u003e dekker den religiøse tilhørig­heten innenfor de to immigrantgruppene.\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\" align=\"left\" style=\"text-align: left; mso-pagination: widow-orphan;\"\u003e\u003cstrong\u003e\u003cspan class=\"Overskrift11\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eInnhold\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\" align=\"left\" style=\"text-align: left; mso-pagination: widow-orphan;\"\u003e\u003cspan class=\"Overskrift11\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eForord og takk\u003cbr\u003e\u003cbr\u003eInnledning\u003cbr\u003eKilder\u003cbr\u003e\u003cbr\u003eKapittel 1: Migrasjon, religion, integrasjon. Historieforskning, begrep, perspektiv\u003cbr\u003eMigrasjon\u003cbr\u003eSammenligning og regelmessigheter\u003cbr\u003eReligion og migrasjon\u003cbr\u003eSekularisering, kultur og politik\u003cbr\u003eForholdet stat og religion\u003cbr\u003eIntegrasjon\u003cbr\u003eUtvidelse av kjernekulturen\/mainstream\u003cbr\u003e\u003cbr\u003eKapittel 2: Norsk migrasjon 1870 og pakistansk 1970\u003cbr\u003e\u003cbr\u003eCASE 1\u003cbr\u003eKapittel 3: Nordmenn i USA, bakgrunn og migrantmenigheter\u003cbr\u003eNorsk amerikautvandring; mål, særpreg og årsaker\u003cbr\u003eHva reiste de fra? Religiøse og kulturelle forhold i Norge, 1850–1930\u003cbr\u003eHva kom de til?\u003cbr\u003eNorskamerikanske kirkesamfunn og fagforeninger\u003cbr\u003e\u003cbr\u003eKapittel 4: Trefoldighet menighet, Minneapolis, Minnesota\u003cbr\u003eTrekk ved de norske immigrantmenighetene\u003cbr\u003e\u003cbr\u003eKapittel 5: Integrering\u003cbr\u003eTil hjelp eller hinder for integrering? \u003ci style=\"mso-bidi-font-style: normal;\"\u003eIntegrating faith\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eKapittel 6: Generasjonserfaringer\u003cbr\u003eFra «norskie» til «pakkis». Litteratur om integrering\u003cbr\u003e\u003cbr\u003eCASE 2\u003cbr\u003eKapittel 7: Pakistanere i Norge, bakgrunn og moskéetableringer\u003cbr\u003e\u003cspan style=\"letter-spacing: -.1pt;\"\u003eHva reiste de fra? Pakistans historie, politikk og religiøse forhold\u003c\/span\u003e\u003cbr\u003eTre kilder om stat, religion og migrasjon i Pakistan. Ulike stemmer, ulike perspektiv\u003cbr\u003eHva kom de til?\u003cbr\u003ePakistaneres møte med det norske samfunnet\u003cbr\u003eHvordan føler muslimer seg mottatt?\u003cbr\u003eSamarbeidende organisasjoner\u003cbr\u003eUtvidelse av et norsk mainstream\u003cbr\u003e\u003cbr\u003eKapittel 8: ICC-historien\u003cbr\u003eVirksomheten\u003cbr\u003e\u003cbr\u003eKapittel 9: Integrerende tro\u003cbr\u003eTil hjelp eller hinder for integrering? \u003ci style=\"mso-bidi-font-style: normal;\"\u003eIntegrating faith\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eKapittel 10: Migrasjon, religion og integrasjon\u003cbr\u003eUSA som innvandringsland fra 1870\u003cbr\u003eNorge som innvandringsland fra 1970\u003cbr\u003eEndringer og tilpasninger\u003cbr\u003eRegelmessigheter\u003cbr\u003eTil hjelp eller hinder for integrering? – en oppsummering\u003cbr\u003e\u003cbr\u003eBibliografi\u003cbr\u003eBøker og artikler\u003cbr\u003eAvisartikler og nettartikler\u003cbr\u003e\u003cbr\u003eForkortelser og forklaringer\u003cbr\u003e\u003cbr\u003eVedlegg 1, Intervjuguide (brukt i Norge)\u003cbr\u003eVedlegg 2. Interview guide (brukt i Pakistan)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eInstituttet for sammenlignende kulturforskning. Serie B: 193\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-167-2. 340 sider, innbundet\u003cbr\u003eFormat: 17x24 cm, vekt 0,9 kg, publiseringsår 2025, språk: bokmål\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44523598381254,"sku":"2025-03 978-82-8390-167-2","price":350.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-167-2_hires.jpg?v=1743001991"},{"product_id":"roksvold-thore-den-forste-norske-sportsjournalistikken","title":"Roksvold, Thore: Den første norske sportsjournalistikken","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\" style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Aptos, sans-serif;\"\u003eHvordan var den første norske sportsjournalistikken? I denne boka blir de første sportsartiklene om ulike idretter på 1800-tallet beskrevet i deres historiske sammenheng. Artiklene handler om travsport, skyting, roing, turn, ridning, langrenn, skihopp, utfor, svømming, seiling, skøyter, sjakk, sykling, kappgang, fotball, friidrett, bryting og orientering.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\" style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Aptos, sans-serif;\"\u003eDe fleste stevna foregår i Christiania\/Kristiania; andre arenaer er Tromsø, Trondheim, Trysil, Gardermoen, Horten, Stavanger, Bergen og Vik i Sogn.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\" style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Aptos, sans-serif;\"\u003eEn av reportasjene er skrevet av Bjørnstjerne Bjørnson, en annen av Henrik Ibsen.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\" style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-size: 11pt; font-family: Aptos, sans-serif;\"\u003eThore Roksvold er dr. philos. i nordisk språkvitenskap og pensjonert professor i journalistikk. Han ble ansatt ved Norsk journalistskole i 1977, og fulgte den utdanningen gjennom høgskolesystemet fram til 2014. Han er i dag tilknytta Fagsenter for seniorer ved Oslo Met.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 2.0pt; line-height: 13.5pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan lines-together; page-break-after: avoid;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFormål, framgangsmåte og forkunnskap\u003cbr\u003e\u003cbr\u003e1. Markedstravløp på Bjørvika\u003cbr\u003e\u003cbr\u003e2. Skyting – Kronprinsen stikker innom\u003cbr\u003e\u003cbr\u003e3. Roing som 17. mai-feiring\u003cbr\u003e\u003cbr\u003e4. Langrennssportens vogge sto i Tromsø\u003cbr\u003e\u003cbr\u003e5. «Skuturn» på Lindøya\u003cbr\u003e\u003cbr\u003e6. Bjørnstjerne Bjørnson som travreporter\u003cbr\u003e\u003cbr\u003e7. Skihopp: Turnskue i Trysil\u003cbr\u003e\u003cbr\u003e8. Utfor med reporter Henrik Ibsen\u003cbr\u003e\u003cbr\u003e9. Militær og sivil kappsvømming\u003cbr\u003e\u003cbr\u003e10. Kappseiling med bruksbåter\u003cbr\u003e\u003cbr\u003e11. Skøyteløp på moten i 1860-åra\u003cbr\u003e\u003cbr\u003e12. Premieløp i Trondheim\u003cbr\u003e\u003cbr\u003e13. Hinderritt på Gardermoen\u003cbr\u003e\u003cbr\u003e14. Telegrafsjakk\u003cbr\u003e\u003cbr\u003e15. Smukk og elastisk kappgang – et moderne prosjekt\u003cbr\u003e\u003cbr\u003e16. Nordens første «Velociped-Kapridt»\u003cbr\u003e\u003cbr\u003e17. Skøytekongen kom, men ikke kongen\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\"\u003e\u003cbr\u003e18. Fotball – «The English Game» – til\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNorge\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e19. Atletsportene friidrett og bryting\u003cbr\u003e\u003cbr\u003e20. «Orienteringsløb (…) en ideal Form af Idræt»\u003cbr\u003e\u003cbr\u003eSammenfatning\u003cbr\u003e\u003cbr\u003eAppendiks\u003cbr\u003e\u003cbr\u003eReferanser\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 2.0pt; line-height: 13.5pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan lines-together; page-break-after: avoid;\"\u003e\u003cspan class=\"Normal1\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-171-9, 380 sider, heftet, format: 17x24 cm, vekt 0,8 kg,\u003cbr\u003epubliseringsår 2025, språk: bokmål\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44538715734214,"sku":"2025-04 978-82-8390-171-9","price":390.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-171-9_hires.jpg?v=1743597653"},{"product_id":"m-b-landstad-skrifter-7-sange-og-digte-af-forskjellige-slags-mest-fra-gamle-dage","title":"M.B. Landstad. Skrifter 7 - Sange og Digte af forskjellige Slags, mest fra gamle Dage","description":"\u003cp\u003ePresten, salmedikteren og folkeminnesamleren Magnus Brostrup Landstad (1802-1880) var en av 1800-tallets store kulturpersonligheter og en av våre mest betydningsfulle nasjonsbyggere.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHan stod bak to av de viktigste bøkene i nasjonsbyggingsprosessen – Norske Folkeviser fra 1853 og Kirkesalmebog fra 1869. Men hans virke og skrifter hadde en langt større faglig spennvidde og et langt større omfang. Blant hans etterlatte arbeider forekommer dessuten andakter, prekener, dikt, taler, dagbok, nedtegnelser av sagn og skikker og artikler om religiøse emner og om kulturvern. Et registreringsarbeid har av­dekket at det totalt finnes om lag 30 000 håndskrevne sider etter han i ulike arkiver og samlinger og om lag 4500 publiserte sider. Dette registrerte omfanget er langt større enn hva man tidligere har vært klar over. \u003cbr\u003eMen dette betydningsfulle, omfattende og kultur- og kirkehistorisk viktige livsverket er i ferd med å få et glemselens slør trukket over seg og gli ut av den kollektive norske kunnskapen. Et fundament og en bærebjelke i Stiftinga Nasjonalt Landstadsenters arbeid er å utgi og gjøre tilgjengelig hans skriftlige arbeider i bokverket M.B. Landstad. Skrifter. Utgaven har som grunnleggende prinsipp å gjengi Landstads tekster i den språklige og typografiske form som finnes i originalmanuskriptene. På denne måten blir autentisiteten og tidskoloritten tatt vare på, og Landstads hånd er urørt. Den interesserte leser skulle således få en sterkere leseopplevelse av tida tekstene er skrevet i, samtidig som de strenge krav som stilles til en vitenskapelig gjengivelse som forskningen kan bygge på, er ivaretatt. Verket er videre en kommentarutgave der bøkene vil ha omfattende innledninger hvor også nye forskningsresultater blir presentert, og dessuten ha utfyllende og opplysende kommentarer til tekstene. Både innledningene og kommentarene blir skrevet av framtredende fagpersoner med særlig god formidlingsevne.\u003cbr\u003e\u003cbr\u003eM.B. Landstads liv og virke har gitt gjenklang i norsk kultur- og kirkehistorie for generasjoner av nordmenn. Særlig aktualitet har Landstads skrifter hatt i forbindelse med 200-årsmarkeringen av Norge som selvstendig nasjon i 2014. Den kultur- og kirkehistoriske arven etter han tilhører utvilsomt noen av våre edleste arvestykker.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.5pt; mso-line-height-rule: exactly; tab-stops: 36.0pt 72.0pt 108.0pt 144.0pt 180.0pt 216.0pt 252.0pt 288.0pt 324.0pt 360.0pt 396.0pt 432.0pt 468.0pt;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eForord\u003cbr\u003e\u003cbr\u003eForfatterens forord\u003cbr\u003e\u003cbr\u003eDigte af forskjellige Slags\u003cbr\u003e\u003cbr\u003ePresten og bygdefolket\u003cbr\u003e\u003cbr\u003eNaturdikt\u003cbr\u003e\u003cbr\u003ePolemiske dikt\u003cbr\u003e\u003cbr\u003eTakk og hyllest til prisverdige medmennesker\u003cbr\u003e\u003cbr\u003eFeiring av nasjonale begivenheter\u003cbr\u003e\u003cbr\u003eGravsange og mindekvad over afdøde\u003cbr\u003e\u003cbr\u003eNære slektninger\u003cbr\u003e\u003cbr\u003eBiskoper og sogneprester\u003cbr\u003e\u003cbr\u003eAndre som minnes for sine gode gjerninger\u003cbr\u003e\u003cbr\u003eTakk og trøst. Sørgefest for to konger\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eVedlegg om Landstads Bygdemålsdiktning\u003cbr\u003e\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-transform: uppercase;\"\u003eF\u003c\/span\u003eaksimile av Landstad: Sange og Digte\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eInstituttet for sammenlignende kulturforskning. Serie B: 198\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eISBN 978-82-7099-948-4, 567 sider, innbundet\u003cbr\u003eFormat: 17x24 cm, vekt 1,55 kg, publiseringsår 2025, språk: bokmål\u003cbr\u003e\u003c\/p\u003e","brand":"Novus","offers":[{"title":"Default Title","offer_id":44550510280902,"sku":"2025-04 978-82-7099-948-4","price":450.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-171-9_hires_a805775e-5eff-4103-9e7b-907b759b3a03.jpg?v=1744119563"},{"product_id":"aksdal-bjorn-fiolinmaker-lars-olsen-hoem-1782-1852","title":"Aksdal, Bjørn: Fiolinmaker Lars Olsen Hoem 1782-1852","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Romsdalen og på Nordmøre er begrepet Hoem-fele fortsatt høyst levende og blir regnet som et kvalitetsstempel. En Hoem-fele er en fiolin som er signert eller tilskrevet felemakeren Lars Olsen Hoem (1782—1852). Han var født i Fræna i Romsdalen, men senere bosatt i Kristiansund og virksom som felemaker i byen fra rundt 1818 og fram til sin død i 1852. På grunn av den ansett gjennomgående gode kvaliteten, har fiolinene hans vært svært attraktive både blant spelemenn i distriktet og hos borger­skapet i de nærliggende byene, som Kristiansund og Molde. Samtidig er det flere kilder som forteller at Hoems fiolinbygging også må ha vært godt kjent og verdsatt i øvrige deler av landet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left; line-height: 13.5pt; mso-line-height-rule: exactly;\" align=\"left\" class=\"---Brdtekstfrste\"\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus';\" lang=\"EN-US\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eForord\u003cbr\u003e\u003cbr\u003e«Vi betaler hva det skal være for den Hoem-fiolinen»\u003cbr\u003e\u003cbr\u003eTidligere studier\u003cbr\u003e\u003cbr\u003eKort biografi\u003cbr\u003e\u003cbr\u003eFiolinbygging i Norge fram til 1860-årene\u003cbr\u003e\u003cbr\u003eHoems fiolinproduksjon\u003cbr\u003e\u003cbr\u003eKaraktertrekk ved Hoems fioliner\u003cbr\u003e\u003cbr\u003eDe viktigste utviklingstrekkene\u003cbr\u003e\u003cbr\u003eSammenligning med et utvalg andre fioliner\u003cbr\u003e\u003cbr\u003e«Lars Hoems fernissekunst»\u003cbr\u003e\u003cbr\u003eEi hardingfele signert Lars Hoem\u003cbr\u003e\u003cbr\u003eEttermælet\u003cbr\u003e\u003cbr\u003eLitteratur og kilder\u003cbr\u003e\u003cbr\u003eVedlegg 1: Oversikt over Lars Hoems fioliner\u003cbr\u003e\u003cbr\u003eVedlegg 2: Fire Hoem-fioliner\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left; line-height: 13.5pt; mso-line-height-rule: exactly;\" align=\"left\" class=\"---Brdtekstfrste\"\u003e \u003c\/p\u003e\n\u003cp style=\"line-height: 13.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003cstrong\u003eBjørn Aksdal\u003c\/strong\u003e (f.1953) arbeider i dag som uavhengig musikk­forsker, skribent og forfatter. Aksdal var ansatt som seniorforsker ved Norsk senter for folkemusikk og folkedans 1986–2016. Han har i tillegg vært høgskoledosent II ved Høgskulen i Telemark og høgskolelektor ved Norges musikkhøgskole. Han har også laget en lang rekke radioprogrammer for NRK og har medvirket på og produsert flere plateinnspillinger. Han er i dag også fag­ansvarlig for en rekke fagområder i Store norske leksikon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 13.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\" lang=\"EN-GB\"\u003eAksdal har en omfattende publikasjonsliste og har særlig forsket på norske og internasjonale instrumenttradisjoner og historiske kilder til folkemusikken. Han har hatt en lang rekke nasjonale og internasjonale verv, bl.a. leder i Norsk folkemusikklag, styremedlem i European Seminar in Ethnomusicology og nestleder i ICTMs studiegruppe for historiske kilder til tradisjonsmusikken.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 13.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\" lang=\"EN-GB\"\u003eAksdal har mottatt flere utmerkelser for sitt arbeid, bl.a. Egil Storbekkens musikkpris (2017), Kungliga Gustav Adolfs Akade­miens pris (2018) og Fagpublikasjonsprisen fra Norsk senter for folkemusikk og folkedans (2023). Han er utnevnt til hedersmedlem i Norsk folkemusikklag (2023) og i Norsk Langeleikforum (2024). Aksdal er også medlem av Det Kongelige Norske Videnskabers Selskap.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 13.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; mso-bidi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003cstrong\u003eFinnes i følgende formater:\u003c\/strong\u003e\u003cbr\u003ePapirbok: ISBN 978-82-8390-169-6, 108 sider, heftet, format: 17x24 cm, vekt 0,26 kg, publiseringsår 2025, språk: bokmål\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44582859866310,"sku":"2025-04 978-82-8390-169-6","price":295.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-169-6_hires.jpg?v=1745224064"},{"product_id":"igland-alf-kjetil-truskap-rettferd-ei-bok-om-magnhild-hagelia","title":"Igland, Alf Kjetil: Truskap - Rettferd. Ei bok om Magnhild Hagelia","description":"\u003cp style=\"line-height: 15.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; letter-spacing: -.1pt; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003eMagnhild Hagelia (1904-1996) var frå Gjerstad, der ho i unge år var særs aktiv i ungdomslaga og ein forkjempar for fråhald og nynorsk. Ho var ein kulturberar av dei sjeldne. Frå 1935 kom ho med i Arbeidarpartiet, der ho snart fekk leiande verv lokalt og på fylkesplan. Som forsyningsleiar i heimkommunen under krigen synte ho store administrative evner og sette seg i respekt for sin klokskap og handlekraft. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 15.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; letter-spacing: -.05pt; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003ePå stortinget (1960-1965) braut ho mange barrierar. Mest merksemd fekk ho i 1962 då ho som første kvinne leia eit møte i nasjonalforsamlinga (biletet), men ho var òg den første kvinna frå Agder på Stor­tinget. Ho kjempa for kvinners rettar og for at dei måtte engasjere seg i politikken. I tillegg til hjarte­sakene\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; letter-spacing: -.1pt; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003e sine arbeidde ho mykje med bustadspørsmål, særleg for einslege kvinner. Hagelia var overtydd sosialdemokrat og trudde på eit samfunn med plass til og velferd for alle. Ho var djupt forankra i partiet, men sjølvstendig og røysta mot leiinga om ho fann det rett.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 15.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003ePå 1950-talet flytta ho til Fjære ved Grimstad, der ho etter stortingsåra engasjerte seg i lokalpolitikken medan ho skjøtta arbeidet hos Fylkesrevisoren. I pensjoniståra arbeidde ho mykje med lokalhistorie frå Fjære og Gjerstad. Ho blei ein skatta føredragshaldar og kåsør på tvers av alle skilleliner. Hagelia blei felleseiget «Magnhild».\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 15.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003eKonsulenten skriv: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eManuskriptutkastet til biografien om Magnhild Hagelia byggjer på eit grundig arbeid, og forfattaren kastar nytt lys ikkje berre over livshistoria hennar, men også over Norge sett frå Agder og norsk historie i etterkrigstida.\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 15.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0cm; text-align: left; mso-pagination: widow-orphan; page-break-after: auto;\" align=\"left\" class=\"----Overskrift1\"\u003e\u003cstrong\u003e\u003cspan class=\"Overskrift11\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"EN-US\"\u003eInnhald\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm; text-align: left; mso-pagination: widow-orphan; page-break-after: auto;\" align=\"left\" class=\"----Overskrift1\"\u003e\u003cspan class=\"Overskrift11\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eProlog\u003cbr\u003e\u003cbr\u003eDel 1 Formande ungdomsår\u003cbr\u003e\u003cbr\u003eUngdommens Magnhild\u003cbr\u003e\u003cspan style=\"letter-spacing: -.15pt;\"\u003eAv rettskafne folk – Hjuring – Skogskommune – Gryting-grenda – «höi, slank, mörk» – Ungdomstida – Nye impulsar – Målkvinne – Totalist – «Guten min» – Gjersdøl og egde – Skrolle-kunsten – Bladfyk\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eGjerstads Magnhild\u003cbr\u003eMykje fatitgdom – Gjerstad konkurs – Nasjonal kriseplan - Kvinnas plass – Handelsfullmektig – Lokalpolitikar – Frilynd kristen – Solidaritets-kjensla – Krigens tunge år - Forsyningsleiar\u003cbr\u003e\u003cbr\u003eDel 2 Travle stortingsår\u003cbr\u003e\u003cbr\u003eFørste kvinne frå Agder\u003cbr\u003eVegen til Stortinget – «Talte ikke i utide» – Bondeparagrafen - Nesten statsråd – Likestilling – Varapresidenten – Kvinnelege prestar – 50 mann og Hagelia – Husmoras tid – «Hjemmetjeneste» – Husmorferie – Sterke kvinner – «Ikke helt unge kvinner!» – Revisoren har ordet – Einslege og husvære – Abortlov – Gruppestyret – Kings Bay-saka – Brotsverk og våpen – Kunstnarløn – Fråhaldssaker – Skipsdåp i brønnvatn – På heimebane – Hugsa dei lågtløna – Statleg økonomi – Jubileumsformann – Feiring på heimebane – Dialektprisar – Vogt-komiteen – Kvinners beredskap\u003cbr\u003e\u003cbr\u003eOmbod\u003cbr\u003e\u003cspan style=\"letter-spacing: -.1pt;\"\u003eRysta over Cock-tail – Medaljar – Kommune-saker – Utan arbeid og bustad – Kommunikasjonar – Industri-saker – Skolesaker – «Hagelia å takke» – Moms på bedehus – Litt leik og moro – Nasjonalpark – Sjuk kar i Australia – Personlege saker – Trygd og skatt\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eEuropear\u003cbr\u003eNordisk Råd – Boksing – Sommartid – Interparlamentarisk Union – Kommunalkonferanse – Kamp for fangar – Utviklingshjelp – Påskeopprørar\u003cbr\u003e\u003cbr\u003eLokale saker\u003cbr\u003eHelsehus – Minnetale over tollbua – Den heilage strandlinja\u003cbr\u003e\u003cbr\u003eSluttstrek\u003cbr\u003e«Kunnskap skal styre» – Storting og småting – Bondejente – 1. mai heime\u003cbr\u003e\u003cbr\u003eDel 3 Aktive pensjonistår\u003cbr\u003e\u003cbr\u003eSiste etappe\u003cbr\u003eRevisoren – «Nygaardsvold» – Lokalpolitikar – «Fylkesmoder» – Brubyggar – Då Borten kom – Lobbyist – På stand for EF – Ny sjukeheim – Kongeleg riddar\u003cbr\u003e\u003cbr\u003eFamilietante\u003cbr\u003eNøysam og raus – Farleg bilist – Slektsgranskar – Sogeskrivar – Forteljar – Tradisjonsberar\u003cbr\u003e\u003cbr\u003eSiste år\u003cbr\u003eI rullestol – På sokkel – Heime – Varige fotefar\u003cbr\u003e\u003cbr\u003eTakk\u003cbr\u003e\u003cbr\u003eAppendiks\u003cbr\u003e\u003cbr\u003eReferansar og noter\u003cbr\u003e\u003cbr\u003ePersonregister\u003cbr\u003e\u003cbr\u003eLitteraturliste\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm; text-align: left; mso-pagination: widow-orphan; page-break-after: auto;\" align=\"left\" class=\"----Overskrift1\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0cm; text-align: left; mso-pagination: widow-orphan; page-break-after: auto;\" align=\"left\" class=\"----Overskrift1\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003e\u003cspan\u003eAlf Kjetil \u003c\/span\u003e\u003cb\u003eIgland\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eer født i Fjære i 1949 og utdannet journalist og filolog. Han har hatt stillinger og verv i mediebedrifter og akademia. Som pensjonist er han aktiv som forsker og sakprosaforfatter. I 2018 (lansert 2019) gav han ut biografien \u003c\/span\u003e\u003ci\u003eBrukseieren\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eMons Fuhrs liv og virke\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003esupplert med et bind med brev og artikler, \u003c\/span\u003e\u003ci\u003eBrukseieren II. \u003c\/i\u003eI 2024 kom\u003ci\u003e Brukseieren III \u003c\/i\u003eog nå\u003ci\u003e Truskap - Rettferd. Ei bok om Magnhild Hagelia.\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm; text-align: left; mso-pagination: widow-orphan; page-break-after: auto;\" align=\"left\" class=\"----Overskrift1\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0cm; text-align: left; mso-pagination: widow-orphan; page-break-after: auto;\" align=\"left\" class=\"----Overskrift1\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-172-6. 608 sider, innbundet, format: 17x24 cm, vekt 1,5 kg, publiseringsår 2025, språk: norsk nynorsk\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44603259879622,"sku":"2025-05 978-82-8390-172-6","price":490.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-172-6_hires.jpg?v=1746089469"},{"product_id":"bliksrud-liv-bergjot-hobaek-haff-dans-pa-avgrunnens-rand","title":"Bliksrud, Liv: Bergljot Hobæk Haff. Dans på avgrunnens rand","description":"\u003cp style=\"text-align: justify;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Afacad Flux Light'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Afacad Flux Light';\"\u003eDenne boken gir et dyptgående innblikk i Bergljot Hobæk Haffs bemerkelsesverdige og komplekse forfatterskap. Fra hennes debut i 1956 til den siste romanen i 2004, har Hobæk Haff skapt seksten verk som utforsker temaer som feminisme, anarkisme og jødisk identitet, ofte med en tone av galgenhumor og skrekkblandet fryd. Boken fordyper seg i hver roman og setter dem i kontekst med forfatterens bredere litterære produksjon, hvor gjenkjennelige trekk og 'søskenlikhet' mellom verkene avdekkes. En fascinerende og tankevekkende studie av en fri og nyskapende dikter som både provoserer og engasjerer.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; text-align: left; page-break-after: auto;\" align=\"left\" class=\"---Overskrift1\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; text-align: left; page-break-after: auto;\" align=\"left\" class=\"---Overskrift1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"EN-US\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003eInnledning\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e                \u003c\/span\u003e\u003cbr\u003eOpptakt: Prøysen og Bach\u003cbr\u003eUtenfor allfarvei\u003cbr\u003eKryssende linjer\u003cbr\u003eDobbeltblikket\u003cbr\u003eÅ ferdes høyt og lavt\u003cbr\u003eFortellerautoritet\u003cbr\u003eDans på avgrunnens rand\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eDel I Dikteren\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eKapittel 1: Et biografisk riss\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e                \u003c\/span\u003e\u003cbr\u003eSin fars datter\u003cbr\u003eGledesløs kristendom\u003cbr\u003eEkteskap i bohemmiljø\u003cbr\u003eLærer og debutant\u003cbr\u003eFinn Alnæs\u003cbr\u003eNy ektemann\u003cbr\u003eDosentfrue i Århus\u003cbr\u003eMormor i åndenes hus\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003cbr\u003eKapittel 2: Dikteren om seg selv\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eEn urolig sjel\u003cbr\u003eEt ekspressivt kunstsyn\u003cbr\u003eJeg skriver alltid om meg selv\u003cbr\u003eStoffet har egenvilje\u003cbr\u003eOpprør i form og innhold\u003cbr\u003eHvor er ideene?\u003cbr\u003eVisjonen\u003cbr\u003eIdentitet og skjebne\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eDel II Diktningen\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eKapittel 3: En oppsiktsvekkende debut\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eEn ekteskapsroman\u003cbr\u003eLivsfornektelse\u003cbr\u003eKjønnskamp, vanvidd og død\u003cbr\u003ePatriarkalsk kritikerstil\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eKapittel 4: Overskridelser\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eUkorrekt kvinneprofil\u003cbr\u003eAlternative kvinneroller\u003cbr\u003eBataille som fortolkningsnøkkel\u003cbr\u003eErotismen\u003cbr\u003eDet guddommelige og det menneskelige\u003cbr\u003eLatteren\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\" lang=\"EN-US\"\u003e\u003cbr\u003eKapittel 5: Fire litterære selvportretter\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eLiv\u003c\/i\u003e (1958)\u003cbr\u003e«Ganske mye av et selvportrett»\u003cbr\u003eFra mørke til lys\u003cbr\u003e«En livshungrende pike i sekstenårsalderen»\u003cbr\u003ePå forbudte veier i røde sko\u003cbr\u003eForelska i lærer’n\u003cbr\u003eLiv og Lillelord\u003cbr\u003eDet lesbiske tema\u003cbr\u003eFrøken Melchior og regnbuen\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003eDu finner ham aldri \u003c\/i\u003e(1960)\u003cbr\u003eKjærlighetens demoniske natur\u003cbr\u003eEline: et nytt selvportrett\u003cbr\u003eSpill med identiteter\u003cbr\u003eHamsun-påvirkning\u003cbr\u003e«Kanskje er hun selv en selv slags flyktning»\u003cbr\u003eInkvisisjon og psykodrama\u003cbr\u003eHva slags menneske er romanens forteller?\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eBålet \u003c\/i\u003e(1962)\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003eEn symbolsk vending\u003cbr\u003eEt avstengt bygdesamfunn\u003cbr\u003eTittel og fortellerforhold\u003cbr\u003eLærerinne mellom godt og ondt\u003cbr\u003eJerusalems skomaker?\u003cbr\u003eÅ elske under sin verdighet\u003cbr\u003eEn vandrer mot lyset\u003cbr\u003eHimmelstige og kors\u003cbr\u003eSe dette sære, ubesluttsomme mennesket …\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eSkammen \u003c\/i\u003e(1996)\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003c\/b\u003eSterke innslag av selvopplevelse\u003cbr\u003e«Egentlig en roman om et far\/datter-forhold»\u003cbr\u003e«Jeg eier ikke noen identitet»\u003cbr\u003eEn fiksjon om en faksjon\u003cbr\u003eFarstap og kreativitet\u003cbr\u003eÅ skrive og tale med far\u003cbr\u003eTeologer som læremestere\u003cbr\u003eDiktning mot strømmen\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\" lang=\"EN-US\"\u003eKapittel 6: Fantastiske skjøger\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"Normal1\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eSkjøgens bok \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e(1965)\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003c\/b\u003eFra moral til metafysikk\u003cbr\u003eMadonna og skjøge\u003cbr\u003eParodia sacra\u003cbr\u003ePresten og kapteinen\u003cbr\u003eMirakelet\u003cbr\u003eVisjonen i kirketaket\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eDen sorte kappe \u003c\/i\u003e(1969)\u003cbr\u003eForsiktighetens grå ridder\u003cbr\u003eKappens hemmeligheter\u003cbr\u003eEn seier for eroskreftene?\u003cbr\u003eJakobs kamp med engelen\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eGudsmoren. En menneskelig komedie \u003c\/i\u003e(1977)\u003cbr\u003eEn religiøs provokasjon?\u003cbr\u003eFor god til å være sann\u003cbr\u003eTransfigurasjoner – figurer og prefigurer\u003cbr\u003eModernisme og metaperspektiv\u003cbr\u003eHvis kvinnen virkelig hadde lært å le …\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003eOverskridelse av det gjenkjennelige og tidsbundne\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003e\u003cbr\u003eKapittel 7: Hekser, kloke koner og viltre nonner\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\" lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eHeksen. Opptegnelser fra en fjern fortid \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e(1974)\u003cbr\u003eHva slags historisk roman?\u003cbr\u003eHekseprosessenes århundre\u003cbr\u003eSkriverskens fortid\u003cbr\u003eHeksehandlingen\u003cbr\u003ePå slagmarken\u003cbr\u003eEn individuasjonsprosess\u003cbr\u003eEn religionskritisk diskurs\u003cbr\u003eAlkymien\u003cbr\u003eLidelsens klarsyn\u003cbr\u003eEn fruktbar anakronisme?\u003cbr\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eSigbrits bålferd\u003c\/i\u003e (1999)\u003cbr\u003eEn historisk-biografisk roman\u003cbr\u003eFortellingen om ørnen, duen og heksen\u003cbr\u003eHolbergs heltinne\u003cbr\u003eDet nederlandske synspunkt\u003cbr\u003eFiktiv selvbiografi og kriminalgåte\u003cbr\u003eSigbrits tapte eros\u003cbr\u003eSigbrit og Christian: illegalt begjær\u003cbr\u003eSigbrit og Dyveke: destruktiv morsmakt\u003cbr\u003eEn fremtidens kvinne?\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003eRenhetens pris\u003c\/i\u003e (1992)\u003cbr\u003eInkvisitorens bekjennelse\u003cbr\u003eEt overflødighetshorn\u003cbr\u003eSkisse av handlingen\u003cbr\u003eHistorieeffekter\u003cbr\u003eEn ildsjel for Herren\u003cbr\u003eDe viltre nonnene i Oronez\u003cbr\u003eKjønnets demon\u003cbr\u003eDen bortkomne faren\u003cbr\u003e… som når en svak lysstråle gjennomtrenger et dypt mørke\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\" lang=\"EN-US\"\u003e\u003cbr\u003eKapittel 8: Anarkisme på jorden og i himmelen\u003c\/span\u003e\u003c\/b\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003e\u003cbr\u003eSønnen \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e(1971)\u003cbr\u003eStruktur\u003cbr\u003eSamtidskontekst\u003cbr\u003e«En from anarkist som gikk sine egne veier»\u003cbr\u003eModerdyret\u003cbr\u003eI Frans av Assisis lignelse\u003cbr\u003eHvorfor ikke fransiskaner?\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003eJeg, Bakunin. Bruddstykker av en urostifters liv og levned\u003c\/i\u003e (1983)\u003cbr\u003e«Som antiautoritær skikkelse taler han sterkt til meg»\u003cbr\u003eHva slags roman?\u003cbr\u003eBakunin og Netsjajev\u003cbr\u003eDen revolusjonæres katekisme\u003cbr\u003e«En mann av en sjelden renhet»\u003cbr\u003eBakunin og Marx\u003cbr\u003eRevolusjonær dionysisme\u003cbr\u003eKonturene av en ny verden\u003cbr\u003eIntensjon og budskap\u003cbr\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eDen guddommelige tragedie\u003c\/i\u003e (1989)\u003cbr\u003eRoman på mange plan\u003cbr\u003eEn ny menneskesønn\u003cbr\u003eGuds død og plage\u003cbr\u003eTravesti og karnevalisme\u003cbr\u003eEn sekulær Jesus-beretning\u003cbr\u003e«Jeg ser på Gud med panteistiske øyne»\u003cbr\u003ePostkolonialisme\u003cbr\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eAttentatet\u003c\/i\u003e (2004)\u003cbr\u003eTilbake til Russland\u003cbr\u003eOriginale fortellergrep\u003cbr\u003eTo barndomsfortellinger\u003cbr\u003eDrømmen om jord og frihet\u003cbr\u003eDød over tsaren\u003cbr\u003eFolkeviljens Romeo og Julie – Brand og Agnes?\u003cbr\u003eTerroristens selvoppgjør\u003cbr\u003e«Å handle under innflytelse av en stor lidenskap»\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eKapittel 9: Jødiske perspektiver\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eEt jødisk dikterspor\u003cbr\u003eMyten om Ahasverus\u003cbr\u003e«Jeg er litt av en vandrer»\u003cbr\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eDen evige jøde\u003c\/i\u003e (2002)\u003cbr\u003eHistorie, fiksjon, fortellerforhold\u003cbr\u003eFalsk identitet\u003cbr\u003eUtgangspunktet Levi Fernando da Costa\u003cbr\u003eEn pikaresk diskurs\u003cbr\u003eHjelperabbinerens fall – Ikaros’ fall\u003cbr\u003eSacco di Roma\u003cbr\u003eBabelsk forvirring\u003cbr\u003eKabbalister og andre himmelstrebere\u003cbr\u003eFar og datter\u003cbr\u003eSviket og visjonen\u003cbr\u003eEt svinnende håp om forsoning?\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eSluttord\u003cbr\u003e\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003cbr\u003ePriser og oversettelser\u003cbr\u003e\u003cbr\u003eNavneregister\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; text-align: left; page-break-after: auto;\" align=\"left\" class=\"---Overskrift1\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; text-align: left; page-break-after: auto;\" align=\"left\" class=\"---Overskrift1\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-173-3. 273 sider, innbundet, format: 17x24 cm, vekt 0,8 kg, publiseringsår 2025, språk: norsk bokmål\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44672376406214,"sku":"2025-06 978-82-8390-173-3","price":360.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-173-3_hires.jpg?v=1749034730"},{"product_id":"joranger-terje-mikael-hasle-ed-naha-2025-migration-minorities-and-freedom-of-religion","title":"Joranger, Terje Mikael Hasle (ed.): NAHA 2025. Migration, Minorities and Freedom of Religion","description":"\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eThe seventeenth volume of Norwegian-American Essays is published in the commemorative year marking the bicentennial anniversary and commemoration of the first organized and direct emigration from Norway to North America... In July of 1825 a crew and passengers of fifty-two individuals left Stavanger harbor on the sloop Restauration destined for the United States… The voyage of the Sloopers in 1825 was a prelude to an organized mass emigration from Norway in the nineteenth and twentieth centuries. All told, about 900.000 emigrants left Norway between 1825 and about 1980… The bicentennial commemoration … includes actors and events in the United States, Canada, and Norway. The main objectives of Crossings 200 in Norway are, firstly, to raise awareness of Norwegian emigration, particularly to North America. A second objective is to use knowledge of past emigration to better understand contemporary immigration processes and integration into Norwegian society. The third objective is to foster transatlantic collaboration between Norwegians in Norway and abroad, based on a shared cultural heritage and cooperation. Our shared goal is to celebrate and strengthen connections between Norway and relevant communities, organizations, and institutions in culture, education, tourism, business, and research in North America.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eThe bicentennial commemoration of Norwegian emigration to North America … serves as a good opportunity to take into account new and under-communicated perspectives on Norwegian emigrant history. The theme and content of this volume, “Nordic Identity Formation in a Transnational Context,” relates well to the main objectives of Crossings 200. It is based on the topic of the seminar hosted by the Norwegian-American Historical Association, Norway Chapter (NAHA-Norge) in Ottestad and Hamar June 15-18, 2022. The theme of the seminar addresses a neglected field in Norwegian American studies. Traditionally, Norwegian historiography has treated the development of Norwegian immigrants and their descendants in their own right, and the group has only to a limited degree been studied in their encounters with other cultural groups. Counter this traditional focus on Norwegian emigrant history, the topic of the seminar and, consequently, this publication, focus on identity formation among Norwegian immigrants and immigrant groups from other Nordic countries in America from the period of immigration until present. The eight essays in this publication focus on identity formation among Norwegian immigrants and immigrant groups from other Nordic countries in America from the period of immigration until present.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"right\" style=\"margin-bottom: 2.8pt; text-align: right;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eTerje Mikael Hasle Joranger, Editor\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"right\" style=\"text-align: right;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eHarry T. Cleven, Assistant Editor\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTerje Mikael Hasle Joranger\u003cbr\u003eIntroduction7\u003cbr\u003e\u003cbr\u003eKnut Djupedal\u003cbr\u003eWho Sailed on the \u003ci style=\"mso-bidi-font-style: normal;\"\u003eRestauration\u003c\/i\u003e?\u003cbr\u003e\u003cbr\u003eJørn Brøndal\u003cbr\u003eBetween Pluralism and the Melting Pot: Identity Formation among Danish Immigrants in the United States in the Late Nineteenth and Early Twentieth Centuries\u003cbr\u003e\u003cbr\u003eJoe Salmons\u003cbr\u003eThe Historical Sociolinguistics of Norwegian-American Bilingualism\u003cbr\u003e\u003cbr\u003eMiranda Moen\u003cbr\u003eEthnicity, Class and Regional Building Styles: The Foundation of Immigrant Architecture\u003cbr\u003e\u003cbr\u003eDaron W. Olson\u003cbr\u003eTwo Very Different Sides of the Same Coin: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eNordmanns-Forbundet\u003c\/i\u003e during World War II\u003cbr\u003e\u003cbr\u003eAnn Marie Legreid\u003cbr\u003e“It’s hard to stop a Trane”: A Case Study of Norwegian-American Ingenuity and Identity\u003cbr\u003e\u003cbr\u003eTrond Espen Teigen Bjoland\u003cbr\u003eBeyond the Ethnic Colony: Syttende Mai in Whitewater, Wisconsin, 1880-1940\u003cbr\u003e\u003cbr\u003eKari G. Hempel \u003cbr\u003eReligionens betydning i integreringsprosessen; \u003ci style=\"mso-bidi-font-style: normal;\"\u003eRefuge, Respect, Resources\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eEarlier NAHA-Norway Publications\u003cbr\u003e\u003cbr\u003eContributors\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 13.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"right\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: EN; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\" lang=\"EN\"\u003eAvailable in the following formats:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"right\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003ePaper: ISBN 978-82-8390-168-9. 280 pp., softcover, format: 15x22,5 cm, weight 0,6 kg, year of publicationr 2025, language: English\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"right\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eOpen Access: omp.novus.no\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44699534622918,"sku":"2025-06 978-82-8390-168-9","price":375.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/9788283901689_hires.jpg?v=1750495689"},{"product_id":"fristrup-tine-sonne-lasse-eds-internationalisation-at-home","title":"Fristrup, Tine\/Sonne, Lasse (Eds.): Internationalisation at Home","description":"\u003cp class=\"MsoNormal\" style=\"text-align: justify; mso-hyphenate: none;\"\u003e\u003cstrong\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eCritical frameworks for inclusive global learning\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; mso-hyphenate: none;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eIn this comprehensive exploration of Internationalisation at Home (IaH), Fristrup and Sonne (Eds.) assemble diverse scholarly perspectives that interrogate conventional paradigms of international education. Moving beyond mobility-centric approaches, this anthology examines how institutions can cultivate global consciousness through inclusive pedagogical strategies that recognise and respond to multidimensional identities, abilities, and socio-political contexts. The anthology’s contributions illuminate how IaH initiatives navigate complex tensions between global interconnectedness and local specificity, between institutional standardisation and cultural plurality, and between neoliberal instrumentalism and emancipatory pedagogies.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"text-align: justify; mso-hyphenate: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan lines-together;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eInternationalisation at Home\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003eCritical Frameworks for Inclusive Global Learning\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eTine Fristrup and Lasse Sonne \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eContributors\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eThe Evolving Research Landscape of Internationalisation\u003cbr\u003e\u003c\/b\u003eA Bibliometric Analysis of Global and Local Trends\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eBirhanu Haile Agezew and Gábor Erdei\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eSocial Capital, Museums, Learning and Social Integration in Europe\u003cbr\u003e\u003c\/b\u003eMuseums and Learning as Tools for Fostering Social Cohesion, Identity, Trust, and Social Capital\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eManuel Romero-Hernández and Lasse Sonne\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eInternationalisation Home and Abroad\u003cbr\u003e\u003c\/b\u003eA Reward System and Student Field Trips in an Age of Uncertainty\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eZsuzsanna Varga\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eInternationalising Higher Education Through “IISMA Programme”\u003cbr\u003e\u003c\/b\u003eIndonesian Context\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eHesti Miranda and David Sulistiawan Aditya \u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eUnderstanding the Push-pull Factors of International Students in Hungary\u003cbr\u003e\u003c\/b\u003eA Comparative Study Between Cambodian and Myanmar Students\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eSu Hnin Aye and Meyly Kheng\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eThe Politics of Ableism\u003cbr\u003e\u003c\/b\u003eInvestigating Ableist-intersections in Disabled People’s Lives Through Internalised Processes of Discrimination\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eTine Fristrup\u003cbr\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eAblenationalism and the Ablenationalist Politics of Disability in Neoliberal Societies\u003c\/b\u003e\u003cbr\u003eCripping Empowermentality Embedded in Therapeutic Citizenship\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eTine Fristrup\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eThe Global Market of Disability Recognition\u003cbr\u003e\u003c\/b\u003eExamining the Hidden Disabilities Sunflower Program’s International Expansion\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eTine Fristrup\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eInternationalisation and Digitalisation for Students with Special Educational Needs (SEN) \u003c\/b\u003e\u003cbr\u003eEmphasis on Malaysian Inclusive Classroom Guidelines\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eNor Amalina Rusli\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eManagement or Mismanagement of Cultural Heritage Sites\u003cbr\u003e\u003c\/b\u003eA Regional Viking Case Study in Norway\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eLasse Sonne and Umar Burki\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eCo-creating a Social Sustainable Future Through History and Heritage Education\u003cbr\u003e\u003c\/b\u003eA Practical Example of Internationalisation at Home Through a Nordic Development Project\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eLasse Sonne\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eWomen’s History, Learning, and the Impact on Sustainable Development\u003cbr\u003e\u003c\/b\u003eThe case of UN Economist Ester Boserup. A Translation\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eLasse Sonne\u003cbr\u003e\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eShaping Racialised Media Representations in Norwegian Sports\u003cbr\u003e\u003c\/b\u003eAn Anti-racial Self-understanding Embedded in Nordic Exceptionalism and Hegemonic Colour-blindness\u003cbr\u003e\u003cspan style=\"font-variant: small-caps;\"\u003eElsa Kristiansen, Tine Fristrup, Lasse Sonne, Trygve B. Broch\u003cbr\u003eand Prisca Bruno Massao\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan lines-together;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"right\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: EN; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eAvailable in the following formats:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"right\" style=\"text-align: left;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003ePaper: ISBN 978-82-8390-175-7. 320 pp., softcover, format: 17x24 cm, weight 0,6 kg, year of publicationr 2025, language: English\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"right\" style=\"text-align: left;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eOpen Access: omp.novus.no\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44711284703430,"sku":"2025-06 978-82-8390-175-7","price":450.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/9788283901757_hires.jpg?v=1751016800"},{"product_id":"asker-schakklubb-100-ar-i-norsk-sjakk","title":"Jahr, Ernst Håkon: «Det er noe spesielt med Asker og sjakk.» Asker Schakklubb 100 år i norsk sjakk 1922-2022","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eHøsten 2022 var en av landets ledende sjakklubber, Asker Schakklubb, 100 år. Dette er boka om klubbens historie fra starten i 1922 og fram til 2022, og den gir samtidig en omfattende beskrivelse av norsk sjakk i den samme tidsperioden. For første gang blir Oslomesterskapet individuelt og for lag fyldig beskrevet.\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e   \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eBoka er delt i fire hovedkapitler: Starten (1922–1932), Albert Gustafssons formannsperiode (1933–1976), Gullalderen (1977–2011), Siste tiår – fram mot 100-årsjubileet (2012–2022).\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e     \u003c\/span\u003eMange av landets fremste spillere har vært medlemmer i Asker Schakklubb: Simen Agdestein, Berge Østenstad, Jøran Aulin-Jansson, Magnus Carlsen, Aryan Tari, Ingrid Dahl, Carl Fredrik Ekeberg, Jonathan Tisdall, Bruce Diesen, Bjarke Sahl, Nils Ragnar Grotnes, Sheila B. Stanford, Kjetil A. Lie, Espen Lie, Geir Sune Tallaksen Østmoe. Asker-tida til de sju førstnevnte blir omtalt i egne kapitler.\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eMagnus Carlsen\u003cbr\u003e\u003c\/b\u003e«Klubben betydde mye for meg i en tidlig fase \u003cbr\u003e– lynturneringer og klubbturnering var noe \u003cbr\u003ejeg gledet meg til hele uka».\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eSimen Agdestein\u003cbr\u003e\u003c\/b\u003e«Jeg glemmer ikke hvor jeg kommer fra. Takk til Asker Schakklubb og alle der som til sammen skapte et strålende miljø og en storveis ramme for utvikling».\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eAryan Tari\u003cbr\u003e\u003c\/b\u003e«Asker Schakklubb kommer alltid til \u003cbr\u003eå ha et spesielt sted i mitt hjerte!»\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eBerge Østenstad\u003cbr\u003e\u003c\/b\u003e«Det er et godt og trivelig miljø i klubben, det er hyggelig å være sjakkspiller i Asker».\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"---Overskrift1\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr\u003eForord\u003cbr\u003eInnledning\u003cbr\u003e\u003cbr\u003eDEL I\u003cbr\u003eDet første tiåret 1922–1932\u003cbr\u003e\u003cbr\u003e1. To sjakkhendelser i oktober 1922\u003cbr\u003e2. Stiftelsen 25. oktober 1922\u003cbr\u003e3. Første turnering fra nov. 1922 – jan. 1923, besøk av to storspillere fra SK 1911\u003cbr\u003e4. Vennskapsmatcher og pokalkamp mot nabo-klubber i 1923\u003cbr\u003e5. Mange medlemmer og stor aktivitet de første åra\u003cbr\u003e6. Asker og Bærum Schakkreds stifta desember 1925\u003cbr\u003e7. Noen problematiske år\u003cbr\u003e8. Nye medlemmer, Lars Østenstad og Albert Gustafsson begynner i klubben\u003cbr\u003e9. Storfint besøk i februar 1929: Richard Réti\u003cbr\u003e10. Asker kretsmester for første gang 1929\u003cbr\u003e11. To vanskelig sesonger 1929\/30 og 1930\/31\u003cbr\u003e12. Sesongen 1931\/32 – klubben skikkelig på fote igjen\u003cbr\u003e13. Albert Gustafsson velges til formann\u003cbr\u003e\u003cbr\u003eDEL II \u003cbr\u003eAlbert Gustafssons formannsperiode – 1933–1976\u003cbr\u003e\u003cbr\u003e1. Asker Schakklubb fra 1933 fram til krigen – fra medlem av «Asker og Bærum Sjakkrets» og over til «Oslo og Omegn Sjakkrets»\u003cbr\u003e2. Kretskamper i Asker og Bærum Sjakkrets\u003cbr\u003e3. Asker Schakklubb i krigsåra 1940–1945\u003cbr\u003e4. Kretskampene etter krigen og fram til 1976\u003cbr\u003e5. Askerspillere i det individuelle Oslomesterskapet 1946–1976\u003cbr\u003e6. Askerspillere i landsturneringene (NM) fram til 1976\u003cbr\u003e7. Simultanoppvisninger i 1956, 1962 og 1964\u003cbr\u003e8. Telefon- og radiosjakk med Thor Johansen på 1960-tallet\u003cbr\u003e9. Interne turneringer og hendinger i klubben 1933–1976\u003cbr\u003e10. Vennskapskamper etter krigen og fram til 1976\u003cbr\u003e11. Del II: «Abert Gustafssons formannsperiode» ender ved hans bortgang 1976\u003cbr\u003e\u003cbr\u003eDEL III\u003cbr\u003eGullalderen 1977–2011\u003cbr\u003e\u003cbr\u003e1. Starten på Gullalderen, klubb-åra 1977–1980\u003cbr\u003e2. 1981–1984: Første Norgesmesterskap til Asker-lag og -spillere\u003cbr\u003e3. Jøran «Lucky Luke» Jansson (Aulin-Jansson fra 2005) – spiller, inspirator og administrator\u003cbr\u003e4. Simen Agdestein – første fra Asker Schakklubb med kongepokal og NM-tittel (1982)\u003cbr\u003e5. Klubb-åra 1984–1990: Gullalderen setter seg\u003cbr\u003e6. Berge Østenstad – klubbens største grossist i Norgesmesterskap\u003cbr\u003e7. Ingrid Dahl fra Asker, som knuste sjakk-’glasstaket’ i Norge og viste veg for kvinnene\u003cbr\u003e8. Klubb-åra 1991–2003: Nye Norgesmesterskap til Asker\u003cbr\u003e9. Magnus Carlsen – unge år i Asker Schakklubb\u003cbr\u003e10. 2004 – året med tre Norgesmesterskap til Asker: NM for lag, Østenstads 7. NM-tittel og Juniornorgesmesterskap til Carl Fredrik Ekeberg\u003cbr\u003e11. Carl Fredrik Ekeberg – Juniornorgesmesteren 2004\u003cbr\u003e12. Klubb-åra 2005–2011: Flere Norgesmesterskap mot slutten av Gullalderen\u003cbr\u003e13. Aryan Tari – viktige læreår i Asker – og Askers første Oslomester\u003cbr\u003e14. Asker Schakklubbs gullalder – kvantitativ oppsummering\u003cbr\u003e\u003cbr\u003eDEL IV\u003cbr\u003eSiste tiår 2012–2022 – fram mot 100-årsjubileet\u003cbr\u003e\u003cbr\u003e2012 – Åsmund Hammerstad med suverent lagkamp-år\u003cbr\u003e2013 – Året da en tidligere askerspiller blei verdensmester i sjakk, og Asker slo til på Kreta\u003cbr\u003e2014 – Sølv i Eliteserien\u003cbr\u003e2015 – Bronse i Eliteserien\u003cbr\u003e2016 – Jøran Aulin-Jansson i storslag i landsturneringa\u003cbr\u003e2017 – Tidligere askerspiller Aryan Tari blir juniorverdensmester\u003cbr\u003e2018 – Jøran Aulin-Jansson æresmedlem av Norges Sjakkforbund\u003cbr\u003e2019 – Nye turneringstyper på høsten\u003cbr\u003e2020 – Klubben stenger ned, sjakk spilles på nettet\u003cbr\u003e2021 – Jøran Aulin Jansson klubbmester for 8. år på rad\u003cbr\u003e2022 – Asker Schakklubb: 100-åring med nye talenter\u003cbr\u003eSluttord – Asker Schakklubb gjennom 100 år\u003cbr\u003e\u003cbr\u003eKilder og litteratur\u003cbr\u003eFullstendig innholdsliste\u003cbr\u003eTabula Gratulatoria\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-hyphenate: none;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cstrong\u003eErnst Håkon Jahr\u003c\/strong\u003e var første gang medlem av Asker Schakklubb fra høsten 1961. Han er professor dr. philos., språkviter og historiker, og har utgitt nærmere 100 fagbøker. Siste større bokutgivelse (2021) var en biografi om historikeren og folkeminneforskeren Andreas Faye (1802–1869): \u003ci style=\"mso-bidi-font-style: normal;\"\u003eNybrottsmannen Andreas Faye\u003c\/i\u003e. Han har tidligere utgitt biografier om den første kvinne som disputerte for doktorgraden i Norge: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eClara Holst – kvinnelig pionér i akademia i Norge\u003c\/i\u003e (2006), og om en viktig skolepionér på 1800-tallet: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSkolemesternes konge: Andreas M. Feragen\u003c\/i\u003e (2018). \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eHan\u003cstrong\u003e\u003c\/strong\u003e fikk i 2011 en av Nordens fremste litteraturpriser, «Svenska Akademiens Nordiska Pris». Han har mottatt flere nasjonale og internasjonale forskningspriser og æresdoktorater.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-hyphenate: none;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: NO-BOK; mso-fareast-language: NO-BOK;\"\u003e\u003cstrong\u003eBoka finnes i følgende formater:\u003c\/strong\u003e\u003cbr\u003ePapirbok: ISBN 978-82-8390-177-1. 622 sider, innbundet, format: 23x29,7 cm, vekt 2,1 kg, publiseringsår 2025, språk: norsk bokmål\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":44711436812486,"sku":"2025-10 978-82-8390-177-1","price":750.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-177-1_hires.jpg?v=1761470126"},{"product_id":"hoel-thomas-red-pa-veg-mot-framtidsnorsk","title":"Hoel, Thomas (red.): På veg mot framtidsnorsk","description":"\u003cp style=\"margin-bottom: 12.0pt; line-height: 13.5pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.05pt;\" lang=\"EN-US\"\u003eNorsk skriftspråk i utvikling - ei oppdatering\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.05pt;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 12.0pt; line-height: 13.5pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.05pt;\" lang=\"EN-US\"\u003eI 2025 fyller Landslaget for språklig samling 66 år. I denne boka stikker vi fingeren i jorda og oppsummerer utviklinga: Hva er situasjonen? Gikk det som vi ønska i 1959?\u003cbr\u003eSvaret er i stor grad JA, vi har grunn til å være fornøyde:\u003cbr\u003e•\u003cspan style=\"mso-tab-count: 1;\"\u003e             \u003c\/span\u003eUtviklinga har gått i den retninga LSS har ønska og arbeida for: en mer talemålsnær offentlig språkbruk.\u003cbr\u003e•\u003cspan style=\"mso-tab-count: 1;\"\u003e             \u003c\/span\u003eSkriving er blitt en aktivitet for alle; IT og sosiale medier gjør at stadig flere kommuniserer skriftlig. «Elektronisk nærhet» lar folk kommunisere på tvers av geografisk avstand.\u003cbr\u003e•\u003cspan style=\"mso-tab-count: 1;\"\u003e             \u003c\/span\u003eGrensa mellom normene for nynorsk og bokmål oppfattes ikke lenger som like absolutte. Forskjellen mellom de to normene er mindre enn noen gang tidligere, og tekster med innslag fra begge normene er ikke lenger noen sjeldenhet.\u003cbr\u003e•\u003cspan style=\"mso-tab-count: 1;\"\u003e             \u003c\/span\u003eSamtidig nærmer bokmål og nynorsk seg til hverandre ved at begge normene tar opp i seg felles ord og uttrykk fra talemålet.\u003cbr\u003e•\u003cspan style=\"mso-tab-count: 1;\"\u003e             \u003c\/span\u003eSamla sett er vi på veg mot et skriftspråk bygd på de mest utbredte språktrekka i norsk talemål, et skriftspråk der skillet mellom bokmål og nynorsk er mindre viktig og antakelig holder på å bli irrelevant.\u003cbr\u003e•\u003cspan style=\"mso-tab-count: 1;\"\u003e             \u003c\/span\u003eDen tilnærminga som språkvitere og politikere har strevd med sia 1917, er språkbrukerne på veg til å fullføre på egen hand.\u003cbr\u003e•\u003cspan style=\"mso-tab-count: 1;\"\u003e             \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eFramtidsnorsk \u003c\/b\u003eligger an til å bli den samnorsken som mange drømte om på starten av 1900-tallet!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\"\u003e \u003c\/p\u003e\n\u003cp class=\"----Overskrift1\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"EN-US\"\u003eInnhold\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eForord\u003cbr\u003e\u003cbr\u003eSylfest Lomheim\u003cbr\u003eI 2125 – ‘moderat’ bokmål? Nei, samnorsk\u003cbr\u003e\u003cbr\u003eThomas Hoel\u003cbr\u003eTale til Harald Flodda ved overrekkinga av litteraturprisen i Arendal 9. november 2024\u003cbr\u003e\u003cbr\u003eArne Torp\u003cbr\u003eKnud Knudsen\u003cbr\u003e\u003cbr\u003eEvy Beate Stykket\u003cbr\u003eKnud Knudsens \u003ci style=\"mso-bidi-font-style: normal;\"\u003eReiseminner\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eErnst Håkon Jahr\u003cbr\u003eEit endeleg stortingsvedtak i 1924 om talemålet i skolen\u003cbr\u003e\u003cbr\u003eLars S. Vikør\u003cbr\u003eSamlenormalen og språkbruken\u003cbr\u003e\u003cbr\u003eThomas Hoel\u003cbr\u003eMuseumsvokterne på Solli plass\u003cbr\u003e\u003cbr\u003eFramlegg til Språkrådet om justeringar i rettskrivingsnorma for bokmål\u003cbr\u003e\u003cbr\u003ePrinsipprogram for Landslaget for språklig samling (LSS)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-180-1. 159 sider, heftet, format: 14x22 cm, vekt 0,3 kg, publiseringsår 2025, språk: norsk bokmål, norsk nynorsk\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45234405179590,"sku":"2025-11 978-82-8390-180-1","price":265.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/9788283901801_hires.jpg?v=1763737578"},{"product_id":"galteland-odd-whaling-at-stromness-south-georgia","title":"Galteland, Odd: Whaling at Stromness South Georgia","description":"\u003cp class=\"MsoNormal\" style=\"margin-bottom: 5.65pt; text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cstrong\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eThe History of the Sandfjord Whaling Co.\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 5.65pt; text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 5.65pt; text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eSandefjords Hvalfangerselskab (Sandefjord Whaling Company) was established 30 August 1906. It was the fourth company to start whaling in the Antarctic regions, making it one of the pioneers of the industry. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 5.65pt; text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eThis book tells the story of the company’s operations at the shore whaling station Stromness in South Georgia from 1906 to 1931; when it stopped whaling from there. The development of whaling at Stromness is examined in the context of individual initiatives and entrepreneurship, as well as economic, political, technical, and resource-related factors, both locally, nationally, and internationally.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 5.65pt; text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eThis is an abridged version of Odd Galteland’s book published in Norwegian in 2009.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSome aspects of the history are left out to focus on the Norwegian-British relations and policy issues that always played a vital role in how the industry developed at South Georgia. The book also reveals the fierce competition as well as close cooperation between the whaling companies operating along the South Georgia coast.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 5.65pt; text-align: justify; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"----Overskrift1\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eContents\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"----Overskrift1\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eAuthor’s Foreword\u003cbr\u003eEditor’s Foreword\u003cbr\u003eIntroduction\u003cbr\u003e\u003cbr\u003eChapter 1\u003cbr\u003eThe First Attempts in the Antarctic\u003cbr\u003e\u003cbr\u003eChapter 2\u003cbr\u003eThe Establishment of Sandefjords Hvalfangerselskab\u003cbr\u003e\u003cbr\u003eChapter 3\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eFridtjof Nansen\u003c\/i\u003e’s First and Only Journey\u003cbr\u003e\u003cbr\u003eChapter 4\u003cbr\u003eA New Factory Ship\u003cspan style=\"font-variant: small-caps;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eChapter 5\u003cbr\u003eA Growing Company (1908–1912)\u003cbr\u003e\u003cbr\u003eChapter 6\u003cbr\u003eBuilding a Shore Station in Stromness (1912\/13)\u003cbr\u003e\u003cbr\u003eChapter 7\u003cbr\u003eWar and Peace (1913–20)\u003cbr\u003e\u003cbr\u003eChapter 8\u003cbr\u003eMerger and Consolidation: The Whaling Company Vestfold\u003cbr\u003e\u003cbr\u003eChapter 9\u003cbr\u003eGood Whaling Seasons (1922–26)\u003cbr\u003e\u003cbr\u003eChapter 10\u003cbr\u003eGood Whaling and Profits (1926–29)\u003cbr\u003e\u003cbr\u003eChapter 11\u003cbr\u003eSwan Song (1929–31)\u003cbr\u003e\u003cbr\u003eChapter 12\u003cbr\u003eRepair and Maintenance Facility (1931–61)\u003cbr\u003e\u003cbr\u003eChapter 13\u003cbr\u003eEpilog: The Whaling Company that became a Shipping Company (1931–76)\u003cbr\u003e\u003cbr\u003eAPPENDICES\u003cbr\u003eAppendix I: Wage conditions in Stromness 1912–31 in retrospect\u003cbr\u003eShore station wages\u003cbr\u003eWages on board the whale catchers\u003cbr\u003e\u003cbr\u003eAppendix II: A\/S Sandefjords Hvalfangerselskab \/ A\/S Vestfold, 1906–31\u003cbr\u003e\u003cbr\u003eAppendix III: The fleet of A\/S Sandefjords Hvalfangerselskab \/ A\/S Vestfold, 1906–31\u003cspan style=\"font-variant: small-caps;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eREFERENCES\u003cbr\u003e\u003cbr\u003eINDEX\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eAuthor: \u003cstrong\u003eOdd Galteland \u003c\/strong\u003e(b. 1948 in Sande­fjord, Norway) studied at the University of Oslo where he majored in sociology in 1977. He has worked as a lecturer for his entire career.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eHe has published several books on the history of Norwegian whaling companies:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eHvalfangst på Syd-Georgia. Landstasjonen Strømnes 1906–1931\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e (2009)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eA\/S Kerguelen 1908–1921. The Optimism, the Dreams – and the Dull Working Day\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003e (2013)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eGodthul Syd-Georgia 1908–1931\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003e (2017)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eHusvik Syd-Georgia 1907–1960\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003e (2021)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eWhaling at Godthul South Georgia. The Early History of the Thor Dahl Company 1908–1931 \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003e(2022)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eEditor this edition: \u003cstrong\u003eBjørn L. Basberg\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003ePublished in the following format:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 8.0pt; line-height: 12.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003ePaper: ISBN 978-82-8390-181-8, 316 pp, paperback, format: 17x24 cm, weight 0,7 kg,, year of publication 2025, language: English\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45246790992070,"sku":"2025-11 978-82-8390-181-8","price":350.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-181-8_hires.jpg?v=1764156752"},{"product_id":"fra-trondenes-seminarium-til-uit-norges-arktiske-universitet","title":"Folkenborg, Rune Håkon: Fra Trondenes Seminarium til UiT - Norges arktiske universitet","description":"\u003cp class=\"MsoNormal\" style=\"mso-hyphenate: none;\"\u003e\u003cstrong\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003eEn fortelling om 200 års lærerutdanning\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-hyphenate: none;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003eDen 7. februar 1826 møtte de to første seminaristene opp for å ta sin lærerutdanning ved Trondenes Seminarium. I 2026 runder dermed Norges eldste offentlige lærerutdanning 200 år. I dag er denne lærerutdanningen å finne ved UiT- Norges arktiske universitet. I løpet av disse to hundre årene har denne institusjonen utdannet tusenvis av lærere. Underveis har utdanninga skiftet status, navn og lokalisering.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-hyphenate: none;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003eI fortellinga om denne utdanninga er søkelyset satt på noen utvalgte spørsmål. Hvordan har skolemyndighetene formet denne lærerutdanninga i nord? Hvordan har utdanninga blitt påvirket av endringer i allmue-, folke- og grunnskolen som disse utdannede lærerne skulle ha sitt arbeid innenfor? Hvordan har lærerutdanninga til ulike tider forholdt seg til det samiske, og hvilken betydning hadde det samiske for etableringen av en lærerutdanning i nord? Hvordan har lærerutdanninga som profesjonsutdanning de siste 50 årene blitt preget av å bli en høgskole- og universitetsutdanning?\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"---Overskrift1\" style=\"mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\u003cstrong\u003e\u003cspan class=\"Overskrift11\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eInnhold\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"---Overskrift1\" style=\"mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eForord\u003cbr\u003e\u003cbr\u003eInnledning\u003cbr\u003eFra Trondenes Seminarium til UiT – Norges arktiske universitet\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eOm elver, navn og formidling av fortida\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ePeriodiseringer og utvalgte spørsmål\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eTidligere forskning, kilder og framstillinger av lærerutdanninga i nord\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eTre sentrale spenningsforhold i fortellinga om l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga i nord\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eFra en skole i kirkas tjeneste til en skole i statens sekul\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ere tjeneste\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSamisk som l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003eringsspr\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ek, eller som un\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003edig omvei til norsk spr\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ek?\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eFra skolemester til skolemaster\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eMellom fortid, n\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003etid og framtid\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; color: #002d46;\"\u003eKapittel 1\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003eKilden dannes: Trondenes Seminarium (1826–1848)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAllmueskolens målsetning\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eKilden til l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga i nord dannes\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eMisjon, pietisme og behovet for samiskkyndige l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003erere\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThomas von Westens betydning for kilden til l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga i nord\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eInitiativtakeren Peter Vogelius Deinboll (1783\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003e–\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e1874)\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eEndelig lokalisering og ansvar for driften av seminaret bestemmes\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSkolemyndighetenes forventninger og rammevilk\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003er for Norges f\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003erste offentlige l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanning\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eL\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga i nord starter opp og elva begynner sin ferd\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eL\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga og det samiske\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtfordringer ved å ha seminaret på Trondenes\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; color: #002d46;\"\u003eKapittel 2\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003eTromsø Seminarium (1848–1902)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSkolemyndighetene tar sterkere grep om utdanninga og tidsriktige lokaler bygges\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eFra allmueskole til folkeskole: konsekvenser for lærerutdanninga\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eFolkeskolen blir et nasjons­integrerende prosjekt\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSkolevesenet i nord fram mot 1900-tallet\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eFornorskningen i skolen vinner terreng fra midten av 1850-tallet\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003eKrav til kandidatene for uteksaminering og for opptak anno 1859\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eFornorskningen hardner til og premissene for friplassene ved seminaret endres\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eM\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003elsetning om \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e v\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ere p\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e h\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003eyde med de \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003evrige l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanningene\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003e«Det moderne gjennombruddet» og lærerutdanninga i nord\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eFriplassene sett i forhold til etnisitet og landsdeler\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSlutten for friplass- og internatordningene\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003eJust Knud Qvigstad\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eKvinnene inntar Troms\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e seminar\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003eNordl\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003endingernes Forening\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; color: #002d46;\"\u003eKapittel 3\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eTromsø lærerskole (1902–1975\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSkolemyndighetenes formende grep i perioden\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSekulære og nasjonale verdier vinner terreng i skole og lærerutdanning\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtviklingstrekk ved folke- og grunnskolen i perioden\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003eOm \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e v\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ere samisk blant nordmenn i en norsk l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanning\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDet samiske og kvenske ved Troms\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererskole\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003eIsak Saba og Anders Larsen m\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003etes p\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga i nord\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eEn l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanning p\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e eksistensminimum\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003eChristian Wik (1859\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003e–\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e1945): Troms\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e-seminarister 1829\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003e–\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e1879\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eL\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererskolen under krig og okkupasjon\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e    \u003c\/span\u003eEndringer i elevmassen og disiplinære saker\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNye lokaler\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eL\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererskolen i etterkrigstida\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eMot en l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanning i form av h\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003egskoleutdanning\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"color: #002d46;\"\u003eKapittel 4\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003eLærerutdanninga i nord som høgskole- og universitetsutdanning (1975–2026)\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eInn i h\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003egskole- og universitets­sektoren og lengre l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003ererutdanning\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eUtviklingen innenfor grunnskolen og framveksten av «Kunnskapsskolen»\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eL\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga gjennom fusjoner, \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ekende akademisering og omfang\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eL\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanninga i spenningen mellom akademia og profesjonsutdanning\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eInn i et st\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003erre vassdrag: HiT\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e og UiT fusjoneres\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eTo norske l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003erertradisjoner forenes ved Institutt for l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanning og pedagogikk\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003cspan style=\"letter-spacing: -.1pt;\"\u003eLærerutdanninga utvikler fleksible utdanningsveier for ­lærerkompetanse og for framtida\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAllmennlærerutdanninga under press og veien fram mot Pilot i Nord\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eEn l\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eæ\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003ererutdanning p\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Minion Pro'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e akademias premisser?\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"---Brdtekst\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eAvslutning: fra liten bekk til én strøm blant andre i ei stor elv\u003cbr\u003e\u003cbr\u003eLitteraturliste\u003cbr\u003e\u003cbr\u003eNoter\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Minion Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Minion Pro';\"\u003e\u003cbr\u003eBildekreditering \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"---Overskrift1\" style=\"mso-pagination: widow-orphan; page-break-after: auto;\"\u003e \u003c\/p\u003e\n\u003cp class=\"---Overskrift1\" style=\"mso-pagination: widow-orphan; page-break-after: auto;\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-179-5. 121 sider, innbundet, format: 21,5x21,5 cm, vekt 0,5 kg, publiseringsår 2025, språk: norsk bokmål\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45264822403270,"sku":"2025-12 978-82-8390-179-5","price":290.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-179-5_hires.jpg?v=1764673371"},{"product_id":"groot-terje-de-norges-kirkeklokker-fra-middelalderen","title":"de Groot, Terje: Norges kirkeklokker fra middelalderen","description":"\u003cp class=\"Normal1\" style=\"margin-bottom: 0cm; mso-hyphenate: none;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eForm, dekor og funksjon\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"Normal1\" style=\"margin-bottom: 0cm; mso-hyphenate: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"Normal1\" style=\"margin-bottom: 0cm; mso-hyphenate: none;\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eFra Kirkens første tid i Norge har klokker vært regnet for å være blant det viktigste, liturgiske inventaret i enhver kirke. Behovet for å kalle menigheten til messe, tidebønner og kirkelige handlinger, bli påminnet om egen bønn i løpet av dagen, verne mot onde ånder, lyn, torden og brann, og varsle om fiendtlig angrep eller andre hendelser i by og bygd, gjorde at klokkeklangen fylte en fundamentalt viktig og strukturerende rolle i middelalderens samfunn. Gjennom det høytidelige og omfattende vigslingsritualet, ledet av biskopen, ble klokkene konsekrerte og gjort til hellige gjenstander. Klangen ble i seg selv en hellig kraft, Guds egen stemme, sterk nok til å skremme bort det onde og sågar hjelpe de avdødes sjeler gjennom skjærsilden. For de troende var dette en realitet. Klokkenes hellighet sto i det hele tatt så sterkt i folks bevissthet, at til tross for at reformerte makthavere på 1500-tallet oppfattet dette som en overtro som måtte utryddes, levde den katolske overbevisningen i folkedypet flere steder i mange hundre år etter reformasjonen. Vi er vitne til en forbløffende kontinuitet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Normal1\" style=\"margin-bottom: 0cm; mso-hyphenate: none;\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Normal1\" style=\"margin-bottom: 0cm; mso-hyphenate: none;\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eI denne boken presenteres både bevarte og kjente klokker fra norsk middelalder. Katalogdelen innledes med hovedtrekk av den støpetekniske utviklingen, klokkenes utsmykning og innskrifter, og hvilke liturgiske og profane funksjoner som kirkeklokkene hadde i katolsk tid. Fremstillingen er trukket noe inn i etterreformatorisk tid, for å vise i hvilken grad middelalderens ringeskikker og trosforestillinger knyttet til klokkene ble holdt levende etter den kirkelige omveltningen i Danmark-Norge som følge av kongebud fra København i 1536\/37.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Normal1\" style=\"margin-bottom: 0cm; mso-hyphenate: none;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cstrong\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Trajan Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Trajan Pro';\"\u003eInnhold\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e\u003cbr style=\"mso-special-character: line-break;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eForord\u003cbr\u003eKlokkens enkelte deler\u003cbr\u003eInnledning\u003cbr\u003eHoveddel 1: Kirkeklokkene i middelalderens Norge\u003cbr\u003eDen støpetekniske utviklingen gjennom norsk middelalder\u003cbr\u003eTre hovedtyper klokkeformer\u003cbr\u003eKlokkestøperne\u003cbr\u003eDonatorene\u003cbr\u003eInnskriftene\u003cbr\u003eUtsmykningen\u003cbr\u003eKlokkenes symbolikk\u003cbr\u003eKlokkevigslingen\u003cbr\u003eDommedagsklokke i Mariakirken i Bergen?\u003cbr\u003eKlokker både inne i kirken og utenfor\u003cbr\u003eKlokkeringerne\u003cbr\u003eRingeteknikker\u003cbr\u003eLiturgisk differensiering av klokkeringingen\u003cbr\u003eKlokkene kaller til messe\u003cbr\u003eKlokkeklang under messen\u003cbr\u003eEtter messen – Angelusringingen og de 3x3 slagene\u003cbr\u003eBruken av klokkene i fastetiden\u003cbr\u003eKirkeårets hjerte – Bruken av klokkene i den stille uke og påske\u003cbr\u003eSjeleringingen – En kjærlighetsgjerning for de døde\u003cbr\u003eKlokketårnet i stein – bygget for sjeleringingen?\u003cbr\u003eBruken av klokker i klostrene\u003cbr\u003eRinging under \u003ci style=\"mso-bidi-font-style: normal;\"\u003eTe Deum\u003c\/i\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"DA\" style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; mso-ansi-language: DA; mso-fareast-language: DA; mso-bidi-language: DA;\"\u003ePå Bergens Apostelkirke «gave de cymbaler en deylig ljud af sig»\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eKlokkeringing som ledd i vaktordningen i byene\u003cbr\u003eBruken av klokker ved tingsamling og kongehylling\u003cbr\u003eFraværet av klokkeklang under interdikt\u003cbr\u003eEn endret tidsforståelse i senmiddelalderen\u003cbr\u003e\u003cbr\u003eEpilog: Klokkene gjennom reformasjonen\u003cbr\u003eTilfellet Trondenes\u003cbr\u003eBruken av klokkene etter reformasjonen\u003cbr\u003eOppgjør med ringingen for de døde\u003cbr\u003eKlokkevigslingen avskaffes\u003cbr\u003eRingeskikkenes forbløffende standhaftighet\u003cbr\u003e\u003cbr\u003eHoveddel 2: Katalog over Norges kirkeklokker fra middelalderen – Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eKlokker som er feildaterte i litteraturen\u003cbr\u003e\u003cbr\u003eSkjema 1: Alfabetisk register over middelalderens kirkeklokker i Norge. Bevarte og kjente klokker\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cbr\u003eSkjema 2: Fylkesvis register over middelalderens kirkeklokker i Norge. Bevarte og kjente klokker\u003cbr\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003cbr\u003eSkjema 3: Middelalderens kirkeklokker i Norge. Norske og utenlandske støpere nevnt i innskriften. Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eSkjema 4: Middelalderklokker i Norge med støpermerker. Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eSkjema 5: Middelalderklokker i Norge med pilegrimsmerker. Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eSkjema 6: Middelalderklokker i Norge med myntavtrykk. Bevarte klokker\u003cbr\u003e\u003cbr\u003eSkjema 7: Middelalderklokker i Norge med dedikasjon, enten i form av bønneformular eller navnsetting. Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eSkjema 8: Middelalderklokker i Norge hvor donator er kjent. Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eSkjema 9: Middelalderklokker i Norge med runeinnskrifter. Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eSkjema 10: Middelalderklokker i Norge med innskrifter i latinske (og gotiserte) bokstaver. Bevarte og kjente klokker\u003cbr\u003e\u003cbr\u003eBibliografi\u003cbr\u003e\u003cbr\u003eIllustrasjonskilder\u003cbr\u003e\u003cbr\u003eRegister over kirker omtalt i boken\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif;\"\u003eInstituttet for sammenlignende kulturforskning\/The Institute for Comparative Research in Human Culture (IFSK). Serie B, 186.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Brdtekst1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"NO-NYN\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-178-8. 819 sider, innbundet, format: 26,5x23 cm, vekt 3,2 kg, publiseringsår 2025, språk: norsk bokmål\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45270704586950,"sku":"2025-12 978-82-8390-178-8","price":690.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-178-8_hires.jpg?v=1764860438"},{"product_id":"norsk-litteraer-arbok-2025","title":"Norsk Litterær Årbok 2025","description":"\u003cp style=\"text-align: left; line-height: 13.0pt; mso-line-height-rule: exactly; mso-pagination: widow-orphan; page-break-after: auto;\" align=\"left\" class=\"---Overskrift1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.2pt; mso-ansi-language: NO-BOK; mso-fareast-language: NO-BOK; mso-bidi-language: NO-BOK;\"\u003eDette nummeret inneheld nye inngangar til Hauge-forskinga – ikkje berre éin, men to artiklar om Olav H. Hauges dikting. Både Henrik Indergaard og Elin Stengrundet har skrive om gjennombrotsboka til Hauge, \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.2pt; mso-ansi-language: NO-BOK; mso-fareast-language: NO-BOK; mso-bidi-language: NO-BOK;\"\u003ePå Ørnetuva \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.2pt; mso-ansi-language: NO-BOK; mso-fareast-language: NO-BOK; mso-bidi-language: NO-BOK;\"\u003e(1961). Der Indergaard undersøkjer dikta i denne boka i ljos av ein mytopoetisk djupnstruktur og narrative liner mellom dikta, leitar Stengrundet etter von og ljos framtid, i ei diktsamling som har hatt status som mørk og pessimistisk. Begge nyttar Hauges dagbøker aktivt i fortolkinga. Det er prisverdig, for jamvel om det har gått 25 år sidan dagbøkene kom ut, har litteratuvitararar vore varsame med å nytte dei i diktanalysar. Vonleg vil Hauges brevskifte ein dag òg sjå dagsens ljos. Det vil kunne gje atter nye perspektiv på Hauges dikting, for som vi veit av brev som alt er utgjevne, mellom Hauge og Jan Erik Vold og Bodil Cappelen, diskuterer Hauge òg diktskriving i brevform. Ein annan bidragsytar, Gunnar Foss, påviser likskapar mellom Herders og Wergelands idéar om folkespråket; i kva grad er Wergeland påverka av Herder, og korleis syner det seg? Foss’ tverrfaglege perspektiv, litteraturhistorie i kombinasjon med eldre språksyn og historiefilosofi, opnar opp for å forstå viktige sider ved Wergelands poetikk, som peikar fram mot vår tids språksituasjon. \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003eAnnette Vilslev Thorsen gjer dobbelt nybrotsarbeid med artikkelen om Dorthea Bassøe og reiseskildringa hennar, \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003eErindringer fra Japan \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003e(1896). Bøker av misjonærar har ikkje berre vore eit forsømt felt i litteraturvitskapen; artikkelen viser òg at det digitale arkivet i Nasjonalbiblioteket gjer det mogleg både å finne gløymde bøker og å nytte kvantitative korpusanalysar til å kartleggje omtalen av bestemde stadnamn over tid. Birgitte Furberg Moe utforskar den norske mottakinga av den tysk-jødiske forfattaren Lion Feuchtwangers roman \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003eSøsknene Oppenheim \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003e(1934). Moe syner korleis mottakinga er prega av det politiske ordskiftet i 1930-åra, der kjende politikarar og kulturpersonar deltok. Dette bidraget er eit vektig tilskot til Holocaust-forskinga som norske litteraturvitarar og historikarar utfører i vår samtid. Den siste artikkelen i utgåva i år har fokus på eit tema som har vakse fram av feltet medisinsk humaniora, nemleg pårøranderolla. Nora Simonhjell gjer ei lesing av Lina Undrum Mariussens diktsamling \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003eFinne deg der inne og hente deg ut \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003e(2011)\u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro'; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003e.\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; letter-spacing: -.2pt;\" lang=\"EN-US\"\u003e Analysen krinsar mellom anna om blikket for tropar og argumenterer for korleis Mariussen skriv fram komplekse tilhøve kring både sjukdom og det å vera pårørande. Dei siste tre artiklane provar korleis den tematiske prioriteringa – eller vendinga? – i litteraturvitskapen, om stader, Holocaust og tverrfagleg sjukdomsforsking, tek faget i nye retningar, og set namn og titlar på dagsorden som er nye for mange.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left; line-height: 13.0pt; mso-line-height-rule: exactly; mso-pagination: none; page-break-after: auto;\" align=\"left\" class=\"---Overskrift1\"\u003e \u003c\/p\u003e\n\u003cp style=\"line-height: 12.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Book'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Book'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003e\u003cstrong\u003eInnhald\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003eFøreord – Norsk litterær årbok 2025\u003cbr\u003e\u003cbr\u003eHenrik Indergaard\u003cbr\u003eOlav H. Hauges mytopoeia i \u003ci style=\"mso-bidi-font-style: normal;\"\u003ePå Ørnetuva\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eElin Stengrundet\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next';\"\u003eNår nesen vender mot dødsriket. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003eLys framtid i Olav H. Hauges \u003ci style=\"mso-bidi-font-style: normal;\"\u003ePå Ørnetuva\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eGunnar Foss\u003cbr\u003eBukkebræg! Fenrishyl! Herder, Wergeland og folkespråkets poetiske ekspressivitet\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next'; mso-ansi-language: DA; mso-fareast-language: DA; mso-bidi-language: DA;\" lang=\"DA\"\u003eAnnette Thorsen Vilslev \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next'; mso-ansi-language: DA; mso-fareast-language: DA; mso-bidi-language: DA;\" lang=\"DA\"\u003eDorthea Bassøes oversete \u003ci style=\"mso-bidi-font-style: normal;\"\u003eErindringer fra Japan\u003c\/i\u003e. En litteraturgeografisk tilgang til tidlige Japan-beskrivelser i Nasjonalbibliotekets arkiv\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next';\"\u003eBirgitte Furberg Moe\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next'; mso-ansi-language: DA; mso-fareast-language: DA; mso-bidi-language: DA;\" lang=\"DA\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next';\"\u003eForhandlinger om sannhet. Den norske resepsjonen av Lion Feuchtwangers \u003ci style=\"mso-bidi-font-style: normal;\"\u003eSøsknene Oppenheim\u003c\/i\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e              \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eNora Simonhjell\u003cbr\u003e‘Og du er husets hjerte som banker meg rundt’. Om omsorgs- og p\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Avenir Next'; mso-bidi-font-family: Aptos;\"\u003eå\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next';\"\u003er\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Avenir Next'; mso-bidi-font-family: Aptos;\"\u003eø\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next';\"\u003erendedilemmaer i Lina Undrum Mariussens \u003ci style=\"mso-bidi-font-style: normal;\"\u003eFinne deg der inne og hente deg ut\u003c\/i\u003e (2011)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Avenir Next'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Avenir Next'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: EN-US;\" lang=\"EN-US\"\u003eBidragsytarar\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-183-2, ISSN 0078-1266, 150 sider, heftet, format: 15x21,5 cm, vekt 0,3 kg, publiseringsår 2025, språk: nynorsk\/bokmål\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45455398895814,"sku":"978-82-8390-183-2","price":390.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/NLAA-cover-2025.png?v=1768485874"},{"product_id":"amundsen-a-b-red-instituttet-for-sammenlignende-kulturforskning-jubileumsforelesninger-2022","title":"Amundsen, A.B. (red.): Instituttet for sammenlignende kulturforskning. Jubileumsforelesninger 2022","description":"\u003cp style=\"line-height: 15.0pt; mso-line-height-rule: exactly;\" class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond'; color: #464035;\"\u003eI 2022 markerte Instituttet for sammenlignende kulturforskning sitt hundreårsjubileum med et seminar om sentrale temaer i instituttets historie. Et utvalg av disse forelesningene er omgjort til artikler som presenteres i denne boken. Artiklene tar opp sider ved instituttets historie, grunnleggeren Fredrik Stangs syn på sammenlignende rettsvitenskap og sammenlignende religionsforskning før og nå. I tillegg presenteres en artikkel om en banebrytende arkeologisk utgravning i Sudan som instituttet har gitt støtte til.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"---Overskrift1\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"EN-US\"\u003eInnhold\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"---Overskrift1\"\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus';\"\u003eArne Bugge Amundsen: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eForord\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eArne Bugge Amundsen: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eInstituttet for sammenlignendekulturforskning 1922-2022\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eJon Røyne Kyllingstad: \u003ci style=\"mso-bidi-font-style: normal;\"\u003e«Menneskeåndens universalitet».«Rase» og «nasjon» ved Instituttet for sammenlignende\u003cbr\u003ekulturforskning ca. 1917-1940\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIngvild Sælid Gilhus: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eOm sammenlignende religionsvitenskap\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eDag Michalsen: \u003ci style=\"mso-bidi-font-style: normal;\"\u003eFredrik Stang og ideen om en sammenlignende rettsvitenskap\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eHenriette Hafsaas: \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003eMellomalderen på Sai i Nubia. Ein katedral, eit kryptogram og erkeengelen Mikael\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\" lang=\"NO-NYN\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Andron Mega Corpus'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Andron Mega Corpus';\"\u003e\u003cbr\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eOm forfatterne\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003eInstituttet for sammenlignende kulturforskning. Serie B: 183\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly; tab-stops: right dotted 452.2pt 452.2pt;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-182-5. 116 sider, innbundet\u003cbr\u003eFormat: 17x24 cm, vekt 0,5 kg, publiseringsår 2025, språk: bokmål\/nynorsk\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45474964504774,"sku":"2026-01 978-82-8390-182-5","price":350.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/9788283901825_hires.jpg?v=1769175868"},{"product_id":"nyhus-svein-henrik-et-al-red-synnove-persens-forfatterskap","title":"Nyhus, Svein Henrik et al. (red.): Synnøve Persens forfatterskap","description":"\u003cp class=\"MsoNormal\" style=\"margin-top: 5.0pt;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif;\"\u003eSynnøve Persen var festivalpoet under \u003ci style=\"mso-bidi-font-style: normal;\"\u003eNordisk poesifestival \u003c\/i\u003e| \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; line-height: 116%; font-family: 'Aptos',sans-serif;\"\u003eRolf Jacobsen-dagene \u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; line-height: 116%; font-family: 'Aptos',sans-serif;\"\u003epå Hamar i 2025. Lyriker og bildekunstner Synnøve\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003ePersen\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003ehar\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003emed\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003een\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003eoverskridende\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003etilnærming\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003etil\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003ekunst\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003eog\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003epraksis, bilde, musikk og ord bidratt sterkt til etableringen av en samisk moderne kunst.\u003cspan style=\"letter-spacing: -.2pt;\"\u003e \u003c\/span\u003eHun\u003cspan style=\"letter-spacing: -.2pt;\"\u003e \u003c\/span\u003evar\u003cspan style=\"letter-spacing: -.2pt;\"\u003e \u003c\/span\u003emed\u003cspan style=\"letter-spacing: -.2pt;\"\u003e \u003c\/span\u003epå\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eå\u003cspan style=\"letter-spacing: -.2pt;\"\u003e \u003c\/span\u003edanne\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eden\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eviktige\u003cspan style=\"letter-spacing: -.2pt;\"\u003e \u003c\/span\u003eMasi-gruppen\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003esom\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003estilte \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; line-height: 116%; font-family: 'Aptos',sans-serif;\"\u003eseg kritisk til at det skulle være en motsetning mellom samisk kunst og samtidskunst. Å utvide, omdefinere og flytte grenser både i det\u003cspan style=\"letter-spacing: -1.05pt;\"\u003e \u003c\/span\u003eetablerte, norske kunstfeltet og i tradisjonell samisk kunstforståelse er noe som har stått sentralt i hennes\u003cspan style=\"letter-spacing: -.65pt;\"\u003e \u003c\/span\u003evirke.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 5.0pt;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; line-height: 116%; font-family: 'Aptos',sans-serif;\"\u003eDen blå fargen som er så sentral i bildene hennes, blir også et startpunkt for forfatterskapet, med debutsamlingen \u003ci style=\"mso-bidi-font-style: normal;\"\u003ealit lottit girdilit \u003c\/i\u003e(1981), gjen- diktet som \u003ci style=\"mso-bidi-font-style: normal;\"\u003eblå fugler flyr \u003c\/i\u003e(1983). Helt fra begynnelsen står det visuelle sterkt, både i diktenes verdensskaping og i samlingenes utforming. Hun lar ofte desentrerte og flytende subjekter ferdes i elementære og noen ganger mytiske landskap der rommet spenner vidt, og det presente og det som har vært, flyter sammen. Berøring og smerte finner uttrykk i et landskap der naturen representerer en levende henvendelse og et sterkt samspill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" style=\"line-height: 116%; margin: 7.1pt 1.3pt .0001pt 0cm;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; line-height: 116%; font-family: 'Aptos',sans-serif;\"\u003eBidragsytere i denne boka er Harald Gaski, Anne Karhio, Silje Solheim Karlsen,\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eEva\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003ePitronová,\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eNora\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eSimonhjell,\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eSollaug\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eSárgon\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eog\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eIngrid\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eSkjerdal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" style=\"line-height: 116%; margin: 7.1pt 30.8pt .0001pt 0cm;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; line-height: 116%; font-family: 'Aptos',sans-serif;\"\u003eRedaktører for boka er førsteamanuensis Svein Henrik Nyhus, førsteamanuensis Kristian Lødemel Sandberg og førsteamanuensis Ingrid Skjerdal, alle ved Universitet i Innlandet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"---Kapitteloverskrift\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eInnhold\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003cstrong\u003eForord\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSvein Henrik Nyhus, Kristian Lødemel Sandberg og Ingrid Skjerdal\u003cbr\u003e«forunderlige landskap». En innledning\u003cbr\u003e\u003cbr\u003eHarald Gaski\u003cbr\u003e«den første snøen uten spor». Kulturell og historisk kontekst for framveksten av samisk kunst fra 1970-tallet, og om Synnøve Persens to diktsamlinger fra den perioden\u003cbr\u003e\u003cbr\u003eSilje Solheim Karlsen\u003cbr\u003emun lean du alit balva \/ jeg er blå sky. Relasjoner i Synnøve Persens lyriske forfatterskap\u003cbr\u003e\u003cbr\u003eEva Pitronová\u003cbr\u003e«Jeg vandret så langt over hav og marker…» Vandring og narrativitet i Synnøve Persens lyrikk\u003cbr\u003e\u003cbr\u003eNora Simonhjell\u003cbr\u003e«fingertuppene brenner». Om å berøre og berøres i Synnøve Persens poesi\u003cbr\u003e\u003cbr\u003eIngrid Skjerdal\u003cbr\u003eStiene videre. Musikalskpoetiske strekninger i komposisjonen \u003ci style=\"mso-bidi-font-style: normal;\"\u003eBiekkakeahtes bálggis – Ja nu ain\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eAnne Sofia Karhio\u003cbr\u003e«Looking for words». Landscape, language and translation in the work of Synnøve Persen and poetry in Irish\u003cbr\u003e\u003cbr\u003eKristian Lødemel Sandberg\u003cbr\u003eSamtale med Synnøve Persen\u003cbr\u003e\u003cbr\u003eSollaug Sárgon\u003cbr\u003eRáhkis Sunna\u003cbr\u003e\u003cbr\u003eOm bidragsyterne\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 7.1pt;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif;\"\u003eUtgivelsen er nr. 14 i serien \u003ci style=\"mso-bidi-font-style: normal;\"\u003eNordisk samtidspoesi\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-185-6, 164 sider, heftet, format: 14x22 cm, vekt 0,3 kg,, publiseringsår 2026, språk: nynorsk\/bokmål\/svensk\/dansk\u003c\/p\u003e\n\u003cp\u003eÅpen tilgang: omp.novus.no\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45590362128582,"sku":"2026-03 978-82-8390-185-6","price":340.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-185-6_hires.jpg?v=1772621576"},{"product_id":"forhandskjop-av-inger-elisabeth-hansens-forfatterskap-sendes-27-mars-2026","title":"Nyhus, Svein Henrik og Silje Harr Svare (red.): Inger Elisabeth Hansens forfatterskap","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eInger Elisabeth Hansen var festivalpoet under Nordisk poesifestival | Rolf Jacobsen-dagene i 2024. Hennes forfatterskap har siden debuten med Det er nå det er like før i 1976 vært et av de viktigste og mest distinkte i norsk samtidspoesi. Hansens lyrikk kjennetegnes av verdensvendthet og en maktkritisk bevissthet, men disse trekkene blir aldri utvendige, og diktene aldri redusert til innholdspoesi. Samtidig som forfatterskapet tar opp i seg hvordan språket eksisterer og brukes samfunnsmessig, viser forfatteren en stadig vilje til å lirke språket løs, også fra lyrikkens konvensjoner, og bruke det fritt.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eGjennom hele sitt virke har Hansen også vært en viktig gjendikter og formidler, særlig av spanskspråklig og latinamerikansk lyrikk. I denne antologien undersøkes faser, overgripende trekk, gjennomgående motiver og brytninger i det meste av Inger Elisabeth Hansens lyriske forfatterskap. Hansens kollega og livsledsager, Torgeir Schjerven, belyser forfatterskapet fra sitt privilegerte ståsted, og antologien avsluttes med et intervju med forfatteren.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eBidragsytere er Hadle Oftedal Andersen, Margit Ims, Peter Stein Larsen, Claus Madsen, Ingrid Nielsen, Thorstein Norheim, Ingrid Skjerdal og Torgeir Schjerven.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003eRedaktører for boka er førsteamanuensis Svein Henrik Nyhus og førsteamanuensis Silje Harr Svare, begge ved Universitetet i Innlandet\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"---Kapitteloverskrift\" align=\"left\" style=\"text-align: left;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eForord\u003cbr\u003e\u003cbr\u003eIngrid Nielsen\u003cbr\u003e«\u003ci style=\"mso-bidi-font-style: normal;\"\u003eHest, himmelvendt, styrter ut av seg selv som en verdensløs kjensgjerning». \u003c\/i\u003eOm poetisk skapelse i Inger Elisabeth Hansens lyriske forfatterskap\u003cbr\u003e\u003cbr\u003eThorstein Norheim\u003cbr\u003e«Svidd inn i drømmer som står». Om drømmemotivet i Inger Elisabeth Hansens poesi\u003cbr\u003e\u003cbr\u003eIngrid Skjerdal\u003cbr\u003ePeriferien som sentrum. Forflytninger, myter og poetikk i \u003ci style=\"mso-bidi-font-style: normal;\"\u003eDobbel dame mot løvenes ørken\u003c\/i\u003e med utgangspunkt i den poetiske biografien over César Vallejo\u003cbr\u003e\u003cbr\u003eClaus Madsen\u003cbr\u003eSkabelsen og skabelsesberetningen i \u003ci style=\"mso-bidi-font-style: normal;\"\u003eHablabaror. Munnenes bok \u003c\/i\u003e(1983)\u003ci style=\"mso-bidi-font-style: normal;\"\u003e.\u003c\/i\u003e Til en poetik over Inger Elisabeth Hansens digtning\u003cbr\u003e\u003cbr\u003eHadle Oftedal Andersen\u003cbr\u003e«Feminismens mørke kontinent». Om kvinneskrift og det ikkje-europeiske i tre diktsamlingar av Inger Elisabeth Hansen\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"NO-NYN\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eMargit Ims\u003cbr\u003eFramsteg som sjølvdestruksjon. Samtidsstrofene som nøkkeldikt i \u003ci style=\"mso-bidi-font-style: normal;\"\u003eÅ resirkulere lengselen, avrenning foregår\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003ePeter Stein Larsen\u003cbr\u003eEkfrastiske strategier i Inger Elisabeth Hansens lyrik\u003cbr\u003e\u003cbr\u003eTorgeir Schjerven\u003cbr\u003eUte og hjemme\u003cbr\u003e\u003cbr\u003eSvein Henrik Nyhus og Silje Harr Svare «Men det er jo meg allikevel!» Fra en samtale med poeten Inger\u003cbr\u003eElisabeth Hansen\u003cbr\u003e\u003cbr\u003eOm bidragsyterne\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-top: 7.1pt;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif;\"\u003eUtgivelsen er nr. 13 i serien \u003ci style=\"mso-bidi-font-style: normal;\"\u003eNordisk samtidspoesi\u003c\/i\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-188-7, 220 sider, heftet, format: 14x22 cm, vekt 0,4 kg,, publiseringsår 2026, språk: nynorsk\/bokmål\/dansk\u003c\/p\u003e\n\u003cp\u003eÅpen tilgang: omp.novus.no\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45594847740102,"sku":"2026-03 978-82-8390-188-7","price":340.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-188-7_hires.jpg?v=1772717822"},{"product_id":"sicking-louis-sankt-olavs-oks","title":"Sicking, Louis: Sankt Olavs øks","description":"\u003cp\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Adobe Garamond Pro'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Adobe Garamond Pro';\"\u003e1. april 1537 forlot en liten flåte Nidarholm (Munkholmen) utenfor Trondheim. Om bord var Olav Engelbrektsson, den siste katolske erkebiskopen, og kirkens skatter og arkiv, blant annet Sankt Olavs øks i sølv. Flåten kom frem til Enkhuizen 1. mai 1537. Den politiske kampen mot reformasjonen i Norge og kong Kristian 3. ebbet etter hvert ut etter erkebiskopens død alt i 1538. Derimot ble det en langvarig strid om erkebispesetes skatter. Keisere, konger, grever, stattholdere og byråd, sammen med fargerike karakterer som Kristoffer Trondsson\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eog Gaute Taraldsson Norveger, var alle involvert i denne striden, der juss og drap, tro og griskhet, diplomati og sjørøveri spilte en rolle. Historien om Sankt Olavs øks er et eventyr fra virkeligheten.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eErik Opsahl og Jørn Øyrehagen Sunde: Forord\u003cbr\u003eForfatterens forord\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eInnledning\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eKampen om den norske tronen 1523–1536\u003c\/b\u003e\u003cbr\u003eInnledning\u003cbr\u003eUnioner av skandinaviske kongeriker\u003cbr\u003eErkebiskopen, riksrådet og reformasjonen\u003cbr\u003eEn festning for erkebiskopen: Steinvikholm\u003cbr\u003eKristian II og habsburgerne\u003cbr\u003eRiksrådet og valget av en ny konge\u003cbr\u003eEt mislykket statsgrep\u003cbr\u003eHabsburgisk støtte fra Nederlandene\u003cbr\u003eKonklusjon\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eErkebiskopens flukt til Nederlandene 1536–1537\u003c\/b\u003e\u003cbr\u003eInnledning\u003cbr\u003eForberedelser i Nederlanden\u003cbr\u003eOvervintring i Trondheim\u003cbr\u003eForberedelser i Norge\u003cbr\u003eAvreisen til Nederlandene\u003cbr\u003eLandflyktighet i Nederlandene\u003cbr\u003eErkebiskopens følge\u003cbr\u003eKonklusjon\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eKaperen og kansleren\u003c\/b\u003e\u003cbr\u003eInnledning\u003cbr\u003eChristoffer Trondssons kapervirksomhet\u003cbr\u003eDansk trussel: Christoffer Trondsson ved den nederlandske kysten\u003cbr\u003eGaute Norweger i bresjen for Maximilian av Egmond\u003cbr\u003eKonklusjon\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eSpor etter skatter\u003c\/b\u003e\u003cbr\u003eInnledning\u003cbr\u003eDebatt om kirkeskatten\u003cbr\u003eHellig Olav og hans skrin\u003cbr\u003eKostbarheter til København\u003cbr\u003eLetingen etter en sunket skatt\u003cbr\u003eInnholdet i kirkeskatten i Deventer\u003cbr\u003eKonklusjon\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eDiplomatisk strid om Olav den helliges øks\u003c\/b\u003e\u003cbr\u003eInnledning: Skatt i byen\u003cbr\u003eDeventer: Sentrum for norgeshandelen\u003cbr\u003ePartene melder seg\u003cbr\u003eKristian III\u003cbr\u003eFredrik van Pfalz og Dorothea\u003cbr\u003eKapitlet i Nidarosdomen\u003cbr\u003eBarna til Nils Lykke\u003cbr\u003eErkebiskopens kreditorer\u003cbr\u003eDeventer: Midtpunkt i en diplomatisk strid\u003cbr\u003eDeventerdiplomatiet\u003cbr\u003eKonklusjon\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eSøk etter skatter\u003c\/b\u003e\u003cbr\u003eInnledning\u003cbr\u003eSkattejakt\u003cbr\u003eEn skatt på pergament og papir\u003cbr\u003eKonklusjon\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eEpilog\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBevismateriale\u003cbr\u003eForkortelser\u003cbr\u003eKilder og litteratur\u003cbr\u003eInformasjon om bildene\u003cbr\u003eRegister personnavn\u003cbr\u003eRegister geografiske navn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif;\"\u003eForfatter\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif;\"\u003eLouis Sicking er Aemilius Papinianus-professor i folkerettshistorie ved Vrije Universiteit Amsterdam siden 1. september 2013. Siden 2001 foreleser han i middelalderhistorie og tidlig moderne historie ved Universitetet i Leiden. Tidligere arbeidet han i Europaparlamentet i Brussel, Luxemburg og Strasbourg. Sicking tok en forskningsmastergrad i utenlandsk historie ved Universitetet i Aix-en-Provence (Aix-Marseille I) og tok sin doktoravhandling i 1996 ved Universitetet i Leiden. Han var gjesteforsker ved Columbia University i New York City, NTNU Trondheim og ved IMF-CSIC Barcelona, og hadde stipender fra Nederlands organisasjon for vitenskapelig forskning (NWO), Det kongelige nederlandske vitenskapsakademiet (KNAW), Nederlands institutt for avanserte studier innen humaniora og samfunnsvitenskap (NIAS) og den norske regjeringen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt; line-height: 107%; font-family: 'Aptos',sans-serif;\"\u003eFokusområder:\u003cb\u003e \u003c\/b\u003eMiddelalder- og tidlig moderne historie, maritim og utenlandsk historie, internasjonal offentlig rett, samt diplomati- og internasjonale relasjoners historie i middelalderen og tidlig moderne tid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-192-4, 244 sider, heftet, format: 17x24 cm, vekt 0,5 kg,, publiseringsår 2026, språk: bokmål\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45853294002374,"sku":"2026-05 978-82-8390-192-4","price":390.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-192-4_hires.jpg?v=1779188137"},{"product_id":"stalsett-ims-gunnes-red-kirkeasyl-hva-na","title":"Stålsett\/Ims\/Gunnes (red.): Kirkeasyl - hva nå?","description":"\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eKristenretten 1000 år og ansvaret for flyktninger i dag\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eDet offisielle Norge feirer 1000-årsjubileeet for kristenretten. Samtidig avvikler regjeringen en praksis med røtter i denne rettstradisjonen: Respekten for kirkeasylet.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eEndringen reiser et presserende spørsmål for asylanter, politikere, engasjerte samfunnsborgere, kirken og andre aktører på tros- og livssynsfeltet: Hva nå?\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eDenne boka belyser kirkeasyl som historisk og samtidig fenomen i Norge. Hva er egentlig kirkeasyl? Hvordan oppstod det, og hvordan har det blitt begrunnet og praktisert? Er kirkeasyl utdatert, eller til og med undergravende i en moderne rettsstat? Eller er det fortsatt nødvendig for å beskytte utsatte mennesker?\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eGrunnleggende etiske, politiske, teologiske og juridiske prinsipper utfordres når noen desperat søker beskyttelse i et hellig rom. Men først og fremst stilles vår medmenneskelighet på prøve.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003eBidragsytere: Hans Olav Arnesen, Ann-Magrit Austenå, Hallgeir Elstad, Gyrid Kristine Gunnes, Hans Morten Haugen, Steinar Ims, Ingrid Rosendorf Joys, Tor B. Jørgensen, Helge Kjøllesdal, Margunn Sandal, Kristin Moen Saxegaard, Hanne Stenvaag og Sturla J. Stålsett.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cstrong\u003eInnhold\u003c\/strong\u003e\u003cbr\u003e\u003cu\u003e\u003cbr\u003e\u003c\/u\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eSturla J. Stålsett\u003c\/b\u003e\u003cbr\u003eKirkeasyl – hva nå?\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eHallgeir Elstad\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eMoster 2024: Kristenrett og asylrett – historiske perspektiv\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eKristning og kristenrett\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eKyrkjeasylet – historisk bakgrunn\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eAsylretten i dei eldre kristenrettane\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eAsylretten i dei nyare kristenrettane\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eOppsummering\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eVart kyrkjeasylet overhalde?\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eSeinmellomalder og reformasjon\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eKonklusjon\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eKjelder og litteratur\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"DE\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: DE; mso-fareast-language: DE; mso-bidi-language: DE;\"\u003e\u003cbr\u003e\u003cbr\u003eAnn-Magrit Austenå\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eAsylpolitisk utvikling og kirkelig engasjement\u003cbr\u003eBegrepsavklaringer\u003cbr\u003eValgkamptema fra 80-tallet\u003cbr\u003eKirkeasyl som reaksjon mot returpolitikk\u003cbr\u003eVeiledning til menighetene\u003cbr\u003eInnstramminger og kirkelig engasjement\u003cbr\u003eStramt og rødgrønt\u003cbr\u003ePapirløses situasjon\u003cbr\u003eEnslige mindreårige asylsøkere\u003cbr\u003eLengeværende barn\u003cbr\u003ePolitiske signaler og en betenkning om kirkeasyl\u003cbr\u003eKriseåret 2015\u003cbr\u003eSolberg og klagesaksbehandlingen\u003cbr\u003eArbeid til ureturnerbare papirløse\u003cbr\u003eRetur til Hellas\u003cbr\u003eKirkeasylanter i Høyesterett\u003cbr\u003eNy regjering og nytt policydokument\u003cbr\u003eNy engangsløsning for kirkeasyl\u003cbr\u003eKirkeasyl i Bømlo\u003cbr\u003eKirkens reaksjon\u003cbr\u003eKirkeasyl i Herøy\u003cbr\u003eMyndighetskritikk og lokalt engasjement\u003cbr\u003eEt polariserende og krevende område\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eHans Morten Haugen\u003c\/b\u003e\u003cbr\u003eKirkeasyl: Nordiske sammenligninger\u003cbr\u003eOversikt over kirkeasyl\u003cbr\u003eDanmark: To høyprofilerte kirkeasyl\u003cbr\u003eFinland: En kirkeasylbevegelse vokser fram\u003cbr\u003eNorge: Kirkeasyl som sentralt politisk tema\u003cbr\u003eSverige: Få kirkeasyl, men pågripelse under menighetsleir\u003cbr\u003eNordiske forskjeller\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e\u003cbr\u003eMargunn Sandal\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e«Der må det vere pur velsigning, nåde og liv»: Om heilage rom\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eVigsling og bruk helgar rommet\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eDet arkitektonisk sakrale\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eFolk sine erfaringar av kyrkjebygga\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eKristus må vere der\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eKjelder og litteratur\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eGyrid Gunnes\u003c\/b\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cbr\u003e\u003c\/i\u003eHva og hvor er kirkeasylets hellighet? Hellighetsteologien i tre kirkelige dokumenter\u003cbr\u003eTre dokumenter – tre hellighetsteologier.\u003cbr\u003eMot en performativ hellighets-teologi for kirkeasylet?\u003cbr\u003eHellighets-teologi i bevegelse\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eSturla J. Stålsett\u003c\/b\u003e\u003cbr\u003eNåde for rett? Kirkeasylets berettigelse i dag\u003cbr\u003eHvorfor kirkeasyl?\u003cbr\u003eHva slags grunner?\u003cbr\u003eRettens grense\u003cbr\u003eUnntakstilstanden og det nakne livet\u003cbr\u003eMaktens selvbegrensning\u003cbr\u003eRett, etikk og helliggjøring av sårbarhet\u003cbr\u003eNåde og barmhjertighet vs. rett?\u003cbr\u003eSårbarhet\u003cbr\u003eHelliggjøring som politisk praksis\u003cbr\u003eTilbake til politikken\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eKristin Moen Saxegaard\u003c\/b\u003e\u003cbr\u003eMenigheten alene om ansvaret\u003cbr\u003eMaria budskapsdag i Hønefoss kirke\u003cbr\u003eMenighetsrådets dilemma\u003cbr\u003eFrikirken som støttespiller overfor rettsapparatet\u003cbr\u003eHverdagsliv i kirkeasyl\u003cbr\u003eKontroll på alle besøkende\u003cbr\u003eÅ gå mot foreldrenes vilje\u003cbr\u003eØkonomi og media\u003cbr\u003eAlene om ansvaret\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eTor B. Jørgensen\u003c\/b\u003e\u003cbr\u003eKirken den er et fredet sted\u003cbr\u003eDen hemmelige avtalen\u003cbr\u003eDen bosnisk-serbiske familien i Saltdal\u003cbr\u003eDet kongolesiske ekteparet i Gildeskål\u003cbr\u003eMøtet med to konvertitter\u003cbr\u003eHva kunne ha vært gjort annerledes?\u003cbr\u003eFamilien fra Afghanistan\u003cbr\u003eFeilkildene i systemet\u003cbr\u003eRettssikkerhet og sikkerhetsventiler\u003cbr\u003eKirkeasyl i en humanitær krisesituasjon\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: EN-GB; mso-bidi-language: EN-GB;\"\u003eKilder og litteratur\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eAnn-Magrit Austenå\u003c\/b\u003e\u003cbr\u003eMenighetenes utfordringer i møte med kirkeasylanter\u003cbr\u003eUtfordringer for stab og menighet\u003cbr\u003eAsylsøkeres rettssikkerhet\u003cbr\u003eDen norske kirkes ansvar overfor menighetene\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eIngrid Rosendorf Joys og Hans Olav Arnesen\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan lang=\"NO-NYN\" style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: NO-NYN; mso-fareast-language: NO-NYN; mso-bidi-language: NO-NYN;\"\u003eKirkeasyl i et livssynsåpent samfunn\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Normal1\"\u003e\u003cspan style=\"mso-ansi-font-size: 10.0pt; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman';\"\u003e\u003cbr\u003eHvorfor kirkeasyl og ikke moskéasyl?\u003cbr\u003eÉn lang tradisjon, eller to ulike tradisjoner?\u003cbr\u003eHomo fugitivus – det flyktende menneske\u003cbr\u003eBarmhjertighetsargumentet\u003cbr\u003eTradisjonsargumentet\u003cbr\u003eHelligrom-argumentet\u003cbr\u003eSikkerhetsventilargumentet\u003cbr\u003eAvsluttende refleksjoner\u003cbr\u003e\u003cspan style=\"letter-spacing: -.1pt;\"\u003eKilder og litteratur\u003c\/span\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eHelge Kjøllesdal\u003c\/b\u003e\u003cbr\u003e«Sivilsamfunnets holdninger er viktigere enn selve kirkeasylet.» Intervju med tidligere justisminister Odd Einar Dørum\u003cbr\u003eNødventil\u003cbr\u003eVett og forstand\u003cbr\u003e«Gud er alltid mildere»\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eHanne Stenvaag\u003c\/b\u003e\u003cbr\u003eEt forsvar for kirkeasylet\u003cbr\u003eKirkeasyl i Norge – hvor står vi?\u003cbr\u003eHva er status for kyrkeasylet vinteren 2026?\u003cbr\u003eUlike kirkelige argumenter for kirkeasyl\u003cbr\u003eEt utblikk til Tyskland\u003cbr\u003eEt forsvar for kirkeasylet\u003cbr\u003eKilder og litteratur\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cbr\u003eTakk\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eBidragsyterne\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eStikkordregister\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: 14.0pt; mso-line-height-rule: exactly;\"\u003eFinnes i følgende formater:\u003cbr\u003ePapirbok: ISBN 978-82-8390-193-1, 226 sider, heftet, format: 17x24 cm, vekt 0,5 kg,, publiseringsår 2026, språk: bokmål\/nynorsk\u003c\/p\u003e","brand":"Novus forlag","offers":[{"title":"Default Title","offer_id":45917968400582,"sku":"2026-06 978-82-8390-193-1","price":350.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/4184\/8262\/files\/978-82-8390-193-1_hires.jpg?v=1780651710"}],"url":"https:\/\/novus.no\/collections\/nyheter\/samisk.oembed","provider":"Novus forlag","version":"1.0","type":"link"}